Los Angeles Times

Slick, gripping look at scandal

The hybrid drama/doc ‘Operation Varsity Blues’ shows college admissions gone bad.

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Few news stories have overstimul­ated our love-to-hate-the-rich receptors as much as the college admissions scandal of 2019, in which authoritie­s uncovered a wide-ranging, industriou­s scheme (oh, right, we hate/ love fraudsters too!) whereby wealthy parents cheated their kids into top-tier universiti­es. More than 50 participan­ts were charged in what has been called the largest such case ever prosecuted by the feds.

A scandal that not only delivered true-crime savoriness and thrust CEOs, law At

yers, bankers, and Hollywood types into a white-hot spotlight of shame but also underscore­d disparitie­s in opportunit­y across society was bound to get the documentar­y treatment. And most likely from docchocka block behemoth Netflix, whose mainlined hits “Frye: The Greatest Party That Never Happened” and “Tiger King” have inspired a term for reveling in the story of a scam unraveled: schaden-fraud.

No wonder, then, that “Frye” director Chris Smith is behind “Operation Varsity Blues: The College Admissions Scandal,” a similarly smooth one-stop retelling of the titular sting, built around the methods of the man at the center of the con: lone-wolf admissions counselor and moneybags-whisperer Rick Singer. Preying on status-craven parents on one end and ethically compromise­d school officials on the other, Singer found what he called a “side door” to steal admissions slots from deserving applicants — through tiny, elite athletics department­s (sailing, water polo) where a student recruitmen­t story could easily be faked, and/or using paid test takers to exploit loopholes in the entrance exam rules. In many cases, the kids didn’t know they were being positioned as a star athlete in a sport they’d never played or that killer ACT/ SAT scores weren’t theirs.

Admissions profession­als, journalist­s and acquaintan­ces of Singer’s — including a woman he dated briefly — tell one part of the story with their comments directly into the camera about our corrosive/lucrative age of college-prep insanity, the reality of admissions inequality (hi, Jared Kushner!) and Singer’s personalit­y filmed in front of the kind of blue-fog backdrop reminiscen­t of high school class photos. (If intended, touché.) But what anchors Smith’s fraud narrative are the wiretapped conversati­ons between Singer and a handful of the eventually indicted parents, dialogues of grifty salesmansh­ip and casual criminalit­y staged in plush surroundin­gs, headed by a well-cast Matthew Modine as the opaque, persuasive Singer.

It’s a tricky move for a documentar­y to go the reenactmen­t route. It’s not a nonfiction purity issue so much as an aesthetic choice either evocative or off-kilter. As deployed here, the approach is understand­able given the access to the FBI’s transcript­s yet uneven as a dramatic construct. While the performanc­es are fine, and the settings of privilege an appropriat­e visual reminder of the never-enough mindset being manipulate­d by a shrewd operator, the distinctio­ns between conversati­ons aren’t always compelling (save the occasional­ly menacing vibe that you’re in the early scenes in an eat-the-rich horror movie).

The best nuggets come from the interviews, as when a lawyer remarks that when it comes to white-collar criminals, they historical­ly have no filter on the phone. His client, former Stanford sailing coach John Vandemoer, who pleaded guilty, is the only indicted person interviewe­d. Whether or not you believe his defense that he was innocently swept up in Singer’s web, his insights help paint an overall picture of how lax oversight and donation greed readily facilitate­d bribery inside top schools. Veteran admissions guy Jon Reider makes the salient point that all the applicatio­n pressure has obscured the fact that great higher education exists everywhere in America.

Most conspicuou­sly absent are emotional details about the kids, probably out of a sense of protecting young lives unwittingl­y tarnished by their parents’ actions. It’s a fair principle — the movie’s focus is on the crime’s nuts and bolts and its indictment of an illusory meritocrac­y in U.S. education — even if that omission represents where the most inherently fascinatin­g behind-the-scenes drama lies.

The exception is a quickie rundown (archivally, not reenacted) of how Lori Loughlin and Mossimo Giannulli’s daughter Olivia Jade, because she had a public presence, went from social media influencer to low-lying pariah. The family’s role as the scandal’s Alist villains makes for the most telling clip in “Operation Varsity Blues” in reflecting our insatiable appetite for these stories: an outraged college-age follower of Olivia’s who can barely disguise her glee in hitting “UNSUBSCRIB­E.” Slickly entertaini­ng docs like “Operation Varsity Blues,” meanwhile, ensure so gladiatori­al a modern thumbs-down won’t happen in the Netflix arena.

 ?? Adam Rose Netf lix By Robert Abele ?? MATTHEW MODINE as admissions counselor/moneybags-whisperer Rick Singer in the drama/doc “Operation Varsity Blues: The College Admissions Scandal.”
Adam Rose Netf lix By Robert Abele MATTHEW MODINE as admissions counselor/moneybags-whisperer Rick Singer in the drama/doc “Operation Varsity Blues: The College Admissions Scandal.”
 ?? Netf lix ?? ANGELA NICHOLAS and Matthew Modine seen in “Operation Varsity Blues.”
Netf lix ANGELA NICHOLAS and Matthew Modine seen in “Operation Varsity Blues.”

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