Los Angeles Times

A LOVE THAT LASTS

‘Wynonna Earp’ stays true to its queer lovers — and their fans

- By Tracy Brown

The spring of 2016 might have been remembered solely as a dark time for queer women on television. An overwhelmi­ng number were being killed off in scripted TV, often simply to advance their straight counterpar­ts’ storylines. Even in the context of TV’s long history of offing LGBTQ characters, the numbers were grim: according to a 2016 tally by GLAAD, more than 25 queer women died on scripted TV and streaming shows in that year alone. Then came “Wynonna Earp.” Created by Emily Andras, Syfy’s supernatur­al western features a gunslingin­g demon hunter — Wynonna Earp (Melanie Scrofano) — and her close-knit found family, including her halfangel sister, her brave town-sheriff bestie and her nearly 200-yearold sometimes lover.

Loosely based on a comic book series by Beau Smith, “Wynonna Earp” follows the quippy great-great-granddaugh­ter of the famed lawman Wyatt Earp as she returns to her hometown of Purgatory and activates a family curse that tasks her with sending resurrecte­d demons back to hell with her ancestor’s magical gun.

It’s clear that despite her initial reluctance, Wynonna is willing to take on the responsibi­lity, if only to keep her younger sister Waverly (Dominique ProvostCha­lkley) safe. The siblings and their complicate­d bond have allowed the campy horror series to pack emotional punches above its weight for four seasons.

But it’s the show’s treatment of another relationsh­ip that has made it so groundbrea­king and meaningful, particular­ly to LGBTQ viewers: Waverly’s romance with town sheriff Nicole

Haught (Katherine Barrell).

The series establishe­d Nicole’s attraction to Waverly the moment the thendeputy was introduced in its second episode, and although Waverly had a boyfriend at the time, it was easy to see that the attraction wasn’t exactly unrequited.

But in the environmen­t “Wynonna Earp” entered when it premiered in April 2016, Andras understood viewers’ anxieties about becoming invested in a queer relationsh­ip on TV — and promised viewers early in the show’s run that her queer characters would survive.

While the promise alone was meaningful enough, how she kept it has been even more significan­t.

In the Season 1 finale, Nicole was shot to distract the Earp sisters from stopping a villain’s big plans. After years of watching queer women on TV die of gunshot wounds, particular­ly on genre shows, seeing Nicole survive because she was wearing a bulletproo­f vest was revelatory. It was an acknowledg­ement of — and a direct rebuke to — a hurtful trope. The move helped “Wynonna Earp” earn the trust and devotion of its fan base and cement its place in LGBTQ TV history.

Andras and the show’s cast have been vocal about how much they cherish Waverly, Nicole and their relationsh­ip, and that care is manifested within the show itself. The characters have been authentic and relatable, and their relationsh­ip affectiona­te and passionate, without ever falling into the voyeuristi­c male gaze that lesser shows still seem unable to shake. Plus, Waverly and Nicole’s relationsh­ip has been the only committed, long-running romance of the series.

Despite the bumpy road, LGBTQ visibility on TV has been on an upward trend in recent years, with more inclusive and meaningful stories being told across the medium. That has been in stark contrast to the real-life prevalence of anti-LGBTQ violence as well as moves by state and federal government­s to limit LGBTQ protection­s and enact discrimina­tory policies targeting the trans community in particular. Even as a queer person living in a socially liberal city with an expansive LGBTQ community, I can’t say I’ve always felt safe.

A television show obviously cannot protect you from actual harm, and being able to find solace in entertainm­ent is itself a mark of privilege we should not forget. But “Wynonna Earp’s” deft handling of Waverly and Nicole’s relationsh­ip — often referred to by the portmantea­u “WayHaught” — has offered comfort, safety , to many of us in that community, regardless of the peril the characters regularly find themselves in thanks to the series’ various monsters.

One need only look at how hard “Wynonna Earp’s” fans have fought (and continue to fight) on behalf of the show to understand how important that feeling has been during the last five years.

While it might not have gotten everything right (that’s a difficult feat for any television show), “Wynonna Earp” has consistent­ly treated its queer characters and storylines with care, all the way down to Friday’s finale: “Wynonna Earp’s” fourseason run on Syfy will conclude with the much anticipate­d WayHaught nuptials, which the cast has teased as something special for fans.

And how could it not be? When a television show makes clear that its LGBTQ characters matter, it helps its LGBTQ viewers feel they matter too. There’s no better way to rewrite history than that.

 ?? Michelle Faye Wynonna Earp Production­s / Syfy ?? THE TOWN POWER COUPLE on “Wynonna Earp” is portrayed by Katherine Barrell, left, and Dominique Provost-Chalkley.
Michelle Faye Wynonna Earp Production­s / Syfy THE TOWN POWER COUPLE on “Wynonna Earp” is portrayed by Katherine Barrell, left, and Dominique Provost-Chalkley.
 ?? Michelle Faye Wynonna Earp Production­s/Syfy ?? A WEDDING is in store for Katherine Barrell, left, and Dominique Provost-Chalkley‘s characters.
Michelle Faye Wynonna Earp Production­s/Syfy A WEDDING is in store for Katherine Barrell, left, and Dominique Provost-Chalkley‘s characters.

Newspapers in English

Newspapers from United States