So many stars, so little wattage
Jessica Chastain & Co. team up for ‘The 355,’ but international spy mission fails to gel.
As explained in the film “The 355,” a female spy known to history only by the code name 355 played a pivotal role in gathering intelligence against the British during the American Revolution.
This movie follows an international group of contemporary female intelligence agents who unite to track down dangerous technology before it falls into the wrong hands. Directed by Simon Kinberg from a script he cowrote with Theresa Rebeck, “355” is low-energy entertainment that feels like a letdown given the talent involved.
Jessica Chastain, also a producer on the film, plays a hard-boiled CIA agent, while Diana Kruger plays her equally tough German counterpart. Lupita Nyong’o is a former British agent reluctantly brought back in, while Penélope Cruz plays a Colombian psychologist who has never worked in the field before. Chinese star Bingbing Fan is an operative of uncertain loyalties. As the five come together for a shared goal of saving the world — “the enemy of my enemy is my friend,” as someone says — they find themselves on the run from various government agencies while in pursuit of violent arms dealers.
The storytelling and plotting feel pulled together from spare parts of recent “Mission: Impossible” and James Bond films, with a disavowal here and light parkour there and multiple destabilizing double-crosses. The highgloss sheen and glamour of those movies, with their spectacular international locales and operatic action, prove harder to replicate here. The action sequences feel a bit perfunctory and don’t provide the necessary punctuation to the rest of the story.
The film’s most notable addition is its attempt to acknowledge that these women need lives outside work, even with an occupation like international intelligence.
Chastain’s character, reprising emotional beats from the performer’s role as a CIA analyst in “Zero Dark Thirty,” has long had only her work, and the story emphasizes her isolation. In a moment that becomes the picture’s thematic centerpiece, Chastain says, “James Bond never has to deal with real life,” to which Nyong’o responds, “James Bond always ends up alone.”
Cruz finds the most to latch onto, bringing an authenticity to her stress while constantly checking in with her family back home and adding a light screwball dusting when her character must awkwardly flirt to gain information. Kruger comes across as the most at ease with the picture’s action, while Nyong’o seems to be having the most fun, bringing a much-needed energetic brio to the story.
The signified cool walk-off music that leads into the end credits (and leaves the door open for a sequel) is Peaches’ song “Boys Wanna Be Her,” also the theme music to the TV show “Full Frontal With Samantha Bee.” And that’s indicative of the larger problem with the movie, that everywhere it should feel risky and energizing, it instead feels familiar and a bit tired. Simply having women star in a sluggish iteration of an airport dad-novel espionage-action story is not inspiring on its own. Despite a few scattered moments, the team-up action of “The 355” never fully comes together.