These dancers have room to grow
Debbie Allen Dance Academy and others move into the new Rhimes Performing Arts Center in Mid-City
When Debbie Allen isn’t in front of the camera acting — or behind it directing — she can be found buzzing around her 25,000-squarefoot fine arts “palace” in MidCity.
From the outside, the building tries hard to hide in plain sight. In daylight its second-story addition appears to have no windows. But inside, the “Grey’s Anatomy” director and actor is putting the finishing touches on the new home of the Debbie Allen Dance Academy, inside the Rhimes Performing Arts Center.
The moniker pays homage to Allen’s longtime friend and colleague: TV powerhouse and “Grey’s Anatomy” creator Shonda Rhimes, who gifted the building.
The venue features five dance studios, a 200-seat performance area and classrooms for the Debbie Allen Middle School of the Performing Arts. The facility also has a studio theater and art gallery, which Allen hopes to make a gathering space for performers and creatives.
“I know what got me to where I am … all of that training, the bel canto singing, the acting: I’m trying to give it to these kids,” Allen said.
Allen said Rhimes was hesitant to have the facility named after her, but Allen insisted on it. In a statement, Rhimes said she’s proud to have the Rhimes family name on a building “that I know will do so much for the arts and the community at large for years to come.”
“I am beyond proud to support the Debbie Allen Dance Academy’s new home — the Rhimes Performing Arts Center,” the statement read. “At DADA, the program is a haven of discipline and acceptance where — no matter their size, ability or economic background — young girls and boys grow into hard working, conscientious, determined and confident young women and men. DADA is more than just a place where children learn to dance. DADA is a movement.”
The performance center had its grand opening in March, followed by a ceremony April 10 attended by “Grey’s Anatomy” co-stars Ellen Pompeo and Kevin McKidd, actors Will Smith and Jada Pinkett Smith, and musicians Billy Porter and Jennifer Hudson. It officially opened dance academy classes last month.
Dancers 4 and older can begin enrolling in theater and in dance classes, including ballet, Dunham, flamenco, hip-hop, jazz, African, Latin fusion, modern and tap. Students also can enroll in master classes taught by the likes of former ballerina Marguerite Derricks, and former “Dance Moms” reality TV dance teacher Abby Lee Miller. Some of the dance classes, such as the salsa class, are being taught by Allen herself.
Long before appearing in, executive producing and eventually directing one of the highest-rated shows in prime-time TV, Allen was dancing. She won two Emmy Awards for choreography for her career-defining performance as dance teacher Lydia in the 1980s musical drama series “Fame.”
Allen said the center, which cost more than $10 million to complete, will have classrooms for up to 15 students in the performing arts middle school (separate from the dance academy) starting in September.
The performing arts center was designed by the global architecture and design firm Gensler. Inside, its bright white walls are decorated with paintings and photographs from Allen’s personal collection (many by friend Rick Carter). The second floor features modern, opaque glass exterior walls that glow when illuminated at night, revealing the silhouette of dancers rehearsing.
The Rhimes Performing Arts Center sits just just three miles from the Crypto.com Arena (formerly Staples Center) and takes up almost an entire city block. Allen said its location is crucial.
DADA had long outgrown its previous home — a revamped Marie Callender’s restaurant in Culver City — but it was affordable, Allen said, and served its purpose as a community beacon in an underserved neighborhood that was predominantly Black and Latino. The new dance facility will do just the same, but on a larger scale.
The 2020 Netflix documentary “Dance Dreams: Hot Chocolate Nutcracker” followed Allen as she tried to choreograph 200 dancers in the retrofitted restaurantturned-dance studio. Securing funding for a larger venue was tough. The cost of a new facility was steep, and Allen couldn’t find someone who would co-sign with her on a building.
“I was just calling on the gods to come in and help me make this what it is,” she said.
Until one morning, when god came in the form of a phone call from Rhimes, asking to meet at the corner of West Washington Boulevard and South Manhattan Place. Rhimes was standing in front of an old brick building that would soon become DADA’s new home.
“It’s never going to get old, what we’re doing. It’s never going to get old,” Allen said. “I feel like what we have here — even though we’re 22 years old — this is a new beginning.”