Marin Independent Journal

Documentar­y highlights draft resistance movement

- By Richard Freedman

In 1982 the Vietnam Veterans Memorial was dedicated in Washington, D.C., inscribed with the names of 57,939 members of U. S. armed forces who had died or were missing as a result of the war. More were added, with the list of American dead at 58,220.

Over the course of the 1964-1975 conflict, the Selective Service recognized 171,000 conscienti­ous objectors. David Harris, arrested and imprisoned 20 months, and boxing champion Muhammad Ali were were among the more than 500,000 youngmen who refused to be drafted in violation of federal law, just over 4,000 of whom spent time in prison.

Steve Ladd was one of those who rejected his draft card. Though perhaps not famous, Ladd was one of integral believers of Harris’ “The Resistance” organizati­on that led to the end of the drawn-out skirmish between the U.S.-allied South Vietnam and North Vietnam.

Ladd’s participat­ion led to a career in mostly behind-the- scenes work on social documentar­ies, from fundraisin­g tomarketin­g to web designs.

However, “The Boys Who Said NO!” is a documentar­y that Ladd, 70, has more than a passing interest in. He’s an associate producer, getting to briefly tell his story on the screenwith others in what’s considered the first filmto elaborate on those who refused to take part in the controvers­ial conflict.

Itwas a speech byHarris — now 74 and a Mill Valley resident— on theUCBerke­ley campus promoting draft resistance and nonviolent action that convinced Ladd to resist the draft.

Ladd talked about the film that streams at the 43rd Mill Valley Festival through Oct. 18 after a world premiere at the Melbourne Film Festival on Aug. 2.

The Mill Valley festival is available both online and at a specially constructe­d drive-in theater at Lagoon Park in San Rafael.

The early reviews “have been heartening,” says Ladd.

“I think themost difficult aspect is not knowing if we were ever going to complete the film,” he says, acknowledg­ing the emotional moments of “justhearin­g again the stories and the sacrifices people made, thinking back. These guys sacrificed a lot intheir lives to do what they felt was right for a cause they thought was just. They certainly were not the first and are not going to be the last.”

Witnessing the final product “filled me with a sense of pride, that people were willing to stand up and still are to what they think is unjust. Hopefully, this filmwill encourage others to the power of nonviolent action, non-violent civil disobedien­ce,” Ladd says.

Ladd transition­ed from living in the L. A. suburbs to U.C. Berkeley in 1968. It’s where he became familiar with war conscripti­on and

film — at the same time.

“My father had an 8-millimeter camera that he gave to me,” says Ladd, rememberin­g “some footage I have of the draft board in Berkeley. Women who ran the draft board would peak out .. until police came and took us away. I have some video of that. Those times got me started. Though I wasn’t really a filmmaker, I got into film distributi­on, helping filmmakers create their films and distribute them.”

A communicat­ions and public policy major at Cal, Ladd was only 17 ½ entering college.

“I had a little time to think about what to do in terms of registerin­g for the draft,” he says.

When Ladd turned 18, he decided to file as a conscienti­ous objector. “I felt increasing­ly that the war was not right. I also began to develop a sense of ‘ Where do I stand?’ on the war.”

Ladd’s father understood. His grandfathe­r, a WorldWar II Navy admiral and World War l veteran, not so much. Nomatter.

“Even though I could

have gotten a student deferment, I turned in my draft card,” Ladd says. “I thought that being a conscienti­ous objector was not enough at the time.”

AtBerkeley, Ladd said he was encouraged to get involved with a group formed to organize against the war non-violently “which was important because Berkeley was becoming known for violent demonstrat­ions; People’s Park in 1969 when (President Ronald) Reagan sent in helicopter­s to drop tear gas on campus to quell riots.”

Ladd joined the Berkeley Peace Brigade, relying on Dr. Martin Luther King Jr.’s principals of non-violent action

to oppose the war.

He remembered a rally of 15,000 students and faculty at the Greek Theatre on the Cal campus following the 1970 killings at Kent State University.

“We went around and collected as many draft cards as we could, several thousand, and 25,000 draft cardswere turned inaround the country,” he says. “Selective Service found it harder to do what it needed to do. Tens of thousands of people risking several years in federal prison asHarris and others did in the film. We were able to inspire an antiwar movement.”

The film not only spotlights those who refused to fight, but many who managed to survive the war and organized against it. “They talked about their experience­s. The G.I. resistance became a big phenomenon. Guys over there saw that it was basically senseless.”

Ladd was involved with the “Boys Who Said NO!” documentar­y from the beginning, having set up the initial advisory committee.

“I was quite moved, especially by some of the individual stories and knowing some of these people,” Ladd says of watching the film. “It’s an important, untold story.”

Ladd continues to keep an eye on the social pulse of America, believing Black Lives Matter is a necessary movement for today. “There’s still so much inequality and injustice gong onandour societyhas failed after decades and decades of knowing. This is a huge problem that we should all face together and deal with it once and for all.”

Again, it all should be protested nonviolent­ly, Ladd emphasizes.

“What we proved during the Vietnam war .. civil rights .. the women’s movement and others is that there are powerful ways nonviolent­ly to oppose injustice and it can make a difference. That’s what we want our film to show and people seem to be hearing that.”

Ladd said a silver lining of COVID-19 is that the United Nations Film Fest out of Palo Alto is also screening “The Boys Who Said NO!” at its Oct. 15 to 25 event, which wouldn’t happened with proximity clauses typical of most festivals in a possible conflict with MVFF.

“The films opens at Mill Valley, which is an honor, and closes at the UNFF, which is also an honor,” Ladd says.

While the UNFF honors Joan Baez, the Mill Valley FilmFestiv­al pays tribute to a plethora of stars including Viola Davis, Sir Anthony Hopkins, Dame Judi Dench, Kate Winslet and Sophia Loren.

To see “The Boys Who Said NO,” go to mvff.com.

 ?? COURTESY PHOTOS ?? “The Boys Who Said NO” can be seen virtually through Oct. 18as part of the Mill Valley Film Festival.
COURTESY PHOTOS “The Boys Who Said NO” can be seen virtually through Oct. 18as part of the Mill Valley Film Festival.
 ?? SAL J. VEDER— THE ASSOCIATED PRESS, FILE ?? Folk singer Joan Baez and David Harris announce a nationwide Vietnam War draft protest tour at a news conference in San Francisco on March 6, 1968.
SAL J. VEDER— THE ASSOCIATED PRESS, FILE Folk singer Joan Baez and David Harris announce a nationwide Vietnam War draft protest tour at a news conference in San Francisco on March 6, 1968.

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