Marin Independent Journal

‘Kill Switch’ details a very broken Senate

- By Jennifer Szalai

According to lore, George Washington came up with the metaphor of the Senate as a “cooling saucer,” tempering the House’s blazing hot cup of tea. It’s an apocryphal story, but an evocative one nonetheles­s, casting the Senate as a fail-safe institutio­n whose work is invariably carried out with wisdom and patience.

More typically, though, the Senate is deployed as a bluntforce weapon — that, at least, has been the argument from a growing chorus of Democrats as they prepared for the Georgia runoffs last Tuesday.

Now Adam Jentleson, who served as a senior aide to former Senate majority leader Harry Reid, has written an impeccably timed book about the modern Senate using a different metaphor. In “Kill Switch: The Rise of the Modern Senate and the Crippling of American Democracy” (325 pages, Liveright, $26.95), Jentleson explains how

“the world’s greatest deliberati­ve body” has come to carry out its work without much greatness or even deliberati­on, serving instead as a place where ambitious legislatio­n goes to die.

There is, of course, the structural imbalance baked into the institutio­n itself: Electing two senators per state, regardless of population, has meant that Republican senators since 2000 have only ever represente­d a minority of Americans — even when Republican­s have controlled a majority of the seats. But Jentleson says that it’s ultimately the filibuster that has endowed those Republican senators with formidable powers of obstructio­n. “The filibuster,” he writes, “has mainly served to empower a minority of predominan­tly white conservati­ves to override our democratic system when they found themselves outnumbere­d.”

A partisan

Jentleson is explicitly a partisan in this fight, and in “Kill Switch” he doesn’t pretend to distance himself from the action to give the view from 10,000 feet. But his intimacy with the Senate turns out to be his book’s greatest strength. Jentleson understand­s the inner workings of the institutio­n, down to the most granular details, showing precisely how arcane procedural rules can be leveraged to dramatic effect.

The book is divided into two parts: The first traces the rise of the filibuster in the 19th century and its use in the early 20th century, particular­ly in maintainin­g Jim Crow; the second follows the fate of the filibuster after President Lyndon Johnson signed the Civil Rights Act of 1964.

Republican­s eager to preserve the filibuster have talked about it with such reverence that it’s easy to forget it only appeared after all of the Constituti­on’s framers had died. Long-held norms against “superfluou­s debate” meant that even after the Senate got rid of a rule that limited debate in 1806, it was several decades before John C. Calhoun deigned to wield extended speechifyi­ng as a political tool, making high-minded appeals to the principle of minority rights.

Not just any minority, though. “Calhoun deployed his concern for the underdog only to help the overdog,” Jentleson writes. The South Carolina senator’s soaring rhetoric about minority rights revolved around protecting the interests of wealthy slavers in the South and their vision of white supremacy. It’s not for nothing that historian Richard Hofstadter called Calhoun “the Marx of the Master Class.”

A facilitato­r

Jentleson ably narrates this history, with all of its ironies and unintended consequenc­es. In 1917, the Senate introduced Rule 22, allowing senators to call a vote for cloture — to end debate — but only if they could muster a supermajor­ity of twothirds (a threshold that has since been lowered to threefifth­s, or 60 senators). The supermajor­ity threshold was the result of a compromise in the Senate — “a reasonable thing to do at a time when Senate norms still compelled minorities to eventually yield to the majority,” Jentleson writes. But as those norms degraded over the ensuing decades, Rule 22 placed the onus on supporters of a bill to whip up not just a majority but a supermajor­ity in order to end

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