Marin Independent Journal

Nominees announced for Academy Awards

- By Jake Coyle

NEW YORK >> After a pandemic year that shuttered movie theaters and upended the movie business, Academy Awards nomination­s on Monday went to two female filmmakers for the first time, to a historical­ly diverse slate of actors and to David Fincher’s “Mank,” a traditiona­l kind of Oscar contender — an old Hollywood homage — in a very untraditio­nal year.

“Mank,” a black-andwhite period drama about “Citizen Kane” screenwrit­er Herman Mankiewicz, easily topped nomination­s for the 93rd Academy Awards — delayed two months by the coronaviru­s pandemic — with 10, including for best picture and director, acting nods for Gary Oldman and Amanda Seyfried, and a host of others for its lavish craft.

Nomination­s were spread among a wide variety of contenders. Six films, all of them also up for best picture, had six nods: “Judas and the Black Messiah,” “Nomadland,” “Minari,” “Sound of Metal,” “The Trial of the Chicago 7” and “The Father.” Also nominated for best picture was Emerald Fennell’s “Promising Young Woman.”

Only five women have ever been nominated before in the best director category, and for the first time, this year there were two. Chloé Zhao got a nod for her elegiac road-trip drama “Nomadland” alongside first-time feature filmmaker Fennell for her pitch black, #MeToo revenge comedy. “Never going to stop crying,” Fennell, also nominated for best screenplay, said on Twitter.

Zhao, the first woman of color nominated for best director, is the most nominated woman in a single year in Oscar history. She was also tipped for the film’s adapted screenplay and editing and as a producer in the best picture category. The other directing nominees were Lee Isaac Chung for the tender family drama “Minari,” Fincher for “Mank” and Thomas Vinterberg for his heavy-drinking Danish tragicomed­y “Another Round.”

For performers, it’s the most diverse group of nominees ever — and a far cry from the all-white acting nods that spawned the #OscarsSoWh­ite hashtag five years ago. Nine of the 20 acting nominees are people of color, including a posthumous best-actor nomination for Chadwick Boseman (“Ma Rainey’s Black Bottom”), as well as nods for Riz Ahmed (“Sound of Metal”), Steven Yeun (“Minari”), Viola Davis (“Ma Rainey’s Black Bottom”) and Andra Day (“The People vs. Billie Holiday”) and supporting nomination­s for Daniel Kaluuya and Lakeith Stanfield (“Judas and the Black Messiah”), Leslie Odom Jr. (“One Night in Miami”) and Yuh-Jung Youn (“Minari”).

“We have to recognize how hard these people have worked,” said Day, nominated for her performanc­e as Billie Holiday. “We have to recognize their talent.”

“When you hear your own name it’s a weird feeling,” said Ahmed, the first Muslim nominated for best actor. “I just quietly gave thanks and felt some gratitude.”

Davis, who won for her performanc­e in 2016’s “Fences,” landed her fourth Oscar nomination, making her the most nominated Black actress ever. Yeun is the first Asian American ever nominated for best actor. “Judas and the Black Messiah,” Shaka King’s powerful Black Panther drama, is the first best-picture nominee with an allBlack producing team (King along with Ryan Coogler and Charles D. King). Overall, a record 70 women were nominated for 76 Oscars, the academy said.

The other nominees for best actress are Carey Mulligan (“Promising Young Woman”), Frances McDormand (“Nomadland”) and Vanessa Kirby (“Pieces of a Woman”). The remaining nominee for best actor is Anthony Hopkins for the dementia drama “The Father.”

With moviegoing nearly snuffed out by the coronaviru­s, the best-picture nominees had hardly any box office to speak of: $14.1 million in U.S. and Canada ticket sales. For the first time, Hollywood’s biggest and most sought-after awards belong to movies that were almost entirely seen at home.

“We learned a lot of hard lessons last year, but a nice one was that people will find a way to go to the movies, even if they can only go as far as their living rooms,” said Aaron Sorkin, writer and director of “The Trial of the Chicago 7,” in a statement.

Netflix, as expected, led all studios with 35 nomination­s. The streaming service is still hunting its first best-picture winner, and this year has two shots in “Mank” and “The Trial of the Chicago 7” — a movie Paramount Pictures sold off during the pandemic. Netflix led last year, too, with 24 nomination­s but came away with just two wins.

Other streamers were in the mix. Amazon Studios, in particular, was well represente­d with “Sound of Metal,” “Borat Subsequent Moviefilm” and “One Night in Miami” — leading to 12 nomination­s overall. Both Apple TV+ (“Wolfwalker­s,” “Greyhound”) and Disney+ (“Soul,” “Onward”) landed their first nomination­s. The film that tried to lead a boxoffice revival — Christophe­r Nolan’s “Tenet” — walked away with nomination­s for production design and visual effects.

The nomination­s were announced from London by presenters Nick Jonas and Priyanka Chopra Jonas. The Academy Awards would typically have happened by now but this year will be telecast April 25. The film academy said Monday that the show will be held at both its usual home, the Dolby Theatre in Los Angeles, and the city’s railway hub, Union Station.

This year’s awards season — typically a monthslong circuit of screenings, cocktail parties and schmoozing — has been entirely virtual, taking much of the buzz and predictabi­lity out of the Oscars. Eligibilit­y was extended to early 2021 releases and to movies that bypassed theaters.

“In our industry there is nothing more traditiona­l than the Academy Awards, which hopefully sends a sign of hope that we will get out of this,” said Oldman in a statement. “The Oscars are such a sign that normalcy still exists.”

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 ?? NETFLIX VIA AP ?? Amanda Seyfried and Gary Oldman appear in “Mank.”
NETFLIX VIA AP Amanda Seyfried and Gary Oldman appear in “Mank.”

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