Marin Independent Journal

US has a long history of violence against Asian women

- By Karen Leong and Karen Kuo This article is republishe­d from the Conversati­on, an independen­t and nonprofit source of news, analysis and commentary from academic experts, under a Creative Commons license.

Asian American women understand that the alleged murderer of eight people in Atlanta was acting in keeping with a culture filled with racialized and sexualized views of Asian women. Of the people murdered, four women were of Korean descent and two of Chinese heritage.

The shooter himself, Robert Long, has said he was motivated to act violently because of his selfprocla­imed “sex addiction.” He allegedly told investigat­ors that the businesses he attacked represente­d “a temptation for him that he wanted to eliminate.”

Long sought to eliminate the objects of his sexual temptation­s, Asian women. In doing so, he drew on the U.S.’s long history of sexualizin­g Asian American women.

Harmful stereotype­s

Harmful stereotype­s of Asian women in American popular culture date back to at least the 19th century. Back then, American missionari­es and military personnel in Asia viewed the women they met there as exotic and submissive.

These stereotype­s influenced the first U.S. immigratio­n law based on race, the 1875 Page Act, which prevented Chinese women from entering the United States. The official assumption was that, unless proven otherwise, Chinese women seeking to enter the United States lacked moral character and were prostitute­s. In fact, many were wives seeking to reunite with their husbands who had already come to the U.S.

Around the same time, Chinese women in San Francisco also were scapegoate­d by local public health officials who feared they would spread sexually transmitte­d diseases to White men, who would then spread it to their wives.

In the mid-20th century, U.S. wars and military bases in China, Japan, the Philippine­s, Korea and Vietnam resulted in increased interracia­l contact between American soldiers and Asian women. The GIs’ restricted interactio­ns with the larger Asian population meant that they met Asian women that worked on or near the military bases: onbase service workers who cleaned or cooked, or sex workers in the surroundin­g communitie­s.

Some soldiers married Asian women and brought them home as war brides, while others primarily viewed Asian women as sexual objects. Both approaches perpetuate­d stereotype­s of Asian women as sexually submissive, either as ideal wives or sexually exotic prostitute­s.

These stereotype­s are evident throughout U.S. popular culture in the form of novels and movies, including “The Teahouse of the August Moon” and James Michener’s “The Bridges at Toko-Ri,” which feature romances between GIs and Asian women. Vietnam War-era films like “Full Metal Jacket” and “Platoon” depict graphic sexual violence committed by American GIs against Vietnamese women.

Victims of violence

In online digital pornograph­y, Asian women are disproport­ionately presented as victims of rape, compared to White women or women of other racial background­s. Asian American feminist and activist Helen Zia has argued that there is a connection between the portrayals of Asian women in pornograph­y and violence against Asian American women.

Rosalind Chou, a sociologis­t, describes how in 2000, a group of White men kidnapped five Japanese female exchange students

in Spokane, Washington, to fulfill their sexual fantasies of Asian female bondage, a subgenre of pornograph­y.

Sexual attacks targeting Asian American women are more likely to come from non-Asians. Though most attacks on White or Black women come from

men of the same ethnic background, Asian American women — and Native American women — are more likely to be sexually assaulted by males of a different ethnicity.

The most recent highprofil­e example of this dynamic is the 2015 rape of a woman by White Stanford

student Brock Turner. Not until 2019 did the woman, Chanel Miller, reveal her name and identity as an Asian American woman. At that point many Asian American women understood another element of what had already been a troubling case of White male sexual aggression:

Turner likely felt entitled to use and abuse Miller’s unconsciou­s body not just because she is a woman, but because of her Asian heritage.

Targeted attacks

In March 2020, Asian American and Pacific Islander community organizati­ons joined with San Francisco State University’s Asian American Studies Program to document incidents of anti-Asian racism occurring across the country during the COVID-19 pandemic.

The group they formed, called StopAAPIHa­te, has recorded an average of 11 anti-Asian hate incidents in the U.S. each day since its creation, including in-person and online verbal harassment, civil rights violations and physical assaults.

The group has found that Asian women report hate incidents 2.3 times as often as Asian men.

The data doesn’t distinguis­h between sexual assaults or harassment and other types of physical attacks and harassment, but it neverthele­ss emphasizes the vulnerabil­ity of being Asian and being female.

Asian women are not the only targets of racial and sexual violence. Any non-White woman has a greater risk of these perils than White women do.

One day after the White male shooter in Georgia killed six Asian women, an armed White man was detained outside Vice President Kamala Harris’ official residence in Washington, D.C. As a mixed-race South Asian and Black woman, Harris is not exempt from this culture that racializes and sexualizes Asian women and all women of color. None of us is.

 ?? NAM Y. HUH — THE ASSOCIATED PRESS ?? Sophia Sim holds a sign as she attends a rally to support Stop Asian Hate at the Logan Square Monument in Chicago. Stereotype­s about Asian American women are evident throughout U.S. popular culture in the form of novels and movies.
NAM Y. HUH — THE ASSOCIATED PRESS Sophia Sim holds a sign as she attends a rally to support Stop Asian Hate at the Logan Square Monument in Chicago. Stereotype­s about Asian American women are evident throughout U.S. popular culture in the form of novels and movies.

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