Marin Independent Journal

‘Jeopardy!’

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the American imaginatio­n,” said Deepak Sarma, a Case Western Reserve University professor and Netflix cultural consultant. “Anyone who is going to take his position will be judged in the end against this model of perfection.”

Game show hosts of Trebek’s era were usually radio and TV broadcasti­ng veterans steeped in the genre, and almost invariably white men. Among the “Jeopardy!” subs are men and women of color and prospects from a variety of fields, including NFL quarterbac­k Aaron Rodgers.

The approach makes sense to Louis Virtel, a longtime fan whose vantage point is informed by writing for a game show (“Match Game”) and competing on “Jeopardy!” in 2015.

“It’s great to see all these different fill-ins. I’m open to suggestion­s, and I think most people are,” said Virtel, a “Jimmy Kimmel Live!” writer and co-host of the “Keep It” podcast. “‘Jeopardy!’ is a one-of-a-kind show, and the replacemen­t should be tailored to the game.”

What makes for a good “Jeopardy!” host?

“I think establishi­ng a sense of comfort (so) the audience just eases into the game,” Virtel said. “Also a sense of stakes, that a real tough game is being played. It’s called ‘Jeopardy!’ for a reason. The host is there to make sure we’re all on our toes.”

The try-outs are an unusually public form of auditionin­g, one that could cause flop sweat even for veteran emcees. For actor Bialik of “Blossom,” “The Big Bang Theory” and “Call Me Kat,” any nerves were crowded out by the demands of the job — and she’s a neuroscien­tist.

“There is very little room for not being 100% dialed in to the job of hosting when you are on that stage,” Bialik said in an email. It proved the most “joyful, challengin­g, transcende­nt act I have undertaken — second only to giving birth to my second son on the floor of my living room.”

Back in the day, there were only a handful of pioneers like Betty White, the first female game show host to win a Daytime Emmy (for 1983’s “Just Men!”), and Adam Wade, a Black singer who hosted the 1975 game show “Musical Chairs.”

Wayne Brady, Steve Harvey

and Meredith Vieira are among those who made further inroads, with pressure only growing on the entertainm­ent industry to reflect America more broadly on screen.

But taking over for an authority figure like Trebek is harder on women and others not typically seen in such roles, said Sarma.

“The sorts of expectatio­ns placed on a person of color in a leadership position are usually higher than those placed on a white person in position of power,” he said, and any error or “slight movement against the norm is jumped upon ... as some tremendous mistake.”

There could be backlash from those resentful that Trebek isn’t replaced likefor-like, which Sarma said isn’t far-fetched in this period of social discord.

“Sony is in a pickle,” he said.

Series producer Richards, the second temporary host after Trebek’s pancreatic cancer death last November at age 80, holds an optimistic view despite the prospect of online trolls and whatever their gripes about the newbie may be.

“My hope is that whoever is chosen will be given a chance to prove why they were chosen, without too much static,” he said.

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