Miami Herald

The baby is coming; quick, call the photograph­er

- BY ELISSA GOOTMAN

Lynsey Stone does not set foot in the shower without placing her cellphone on a nearby ledge, lest she miss an urgent text from a woman in labor. She schedules vacations 10 months in advance to ensure they do not conflict with due dates, and on family outings she and her husband leave their Granbury, Texas, home in separate cars, in case she needs to race to the hospital.

Stone, 33, is not a doctor, nurse, doula or midwife: She is a birth photograph­er, part of a small but growing profession devoted to chroniclin­g a rite of passage that is no less significan­t than a wedding — though a bit trickier to capture on film.

“In the beginning, I almost thought that people were joking with me, like, ‘Really? You want me to come to your birth?’ ” said Stone, whose business took off after a pregnant acquaintan­ce, impressed by pictures Stone had taken of her own family, asked if she would photograph her delivery.

Birth was once considered a behind-closed-doors affair — a messy, painful and fearsome event where neither mothers nor babies looked their best. Then, expectant fathers entered the picture, snapping photos or taking videos with shaky hands. Now, there is both a surge of interest in the experience of childbirth — not just as a means to a baby but also as a moment to be relished in its own right — and a greater desire to capture all of life’s moments (and often share them on Facebook).

GROWING MARKET

Birth photograph­ers have set up shop in recent years across the country, from Los Angeles to Salt Lake City to Cincinnati. The Internatio­nal Associatio­n of Profession­al Birth Photograph­ers — a group started by a Texas photograph­er who was bombarded with inquires from women in other states seeking a birth photograph­er near them — now has roughly 400 members.

The photograph­ers and their clients have grown accustomed to puzzled looks and probing questions (Pictures of what, exactly?). But their rationale is simple: If you are going to document a child’s every bite of mushed banana as if it were a historical event, does it not make sense that his or her entrance into the world be photograph­ed by a profession­al?

“I want to see that moment when I’m in labor,” said Rhisie Hentges of Long Beach, Calif., who paid $1,895 to have Briana Kalajian, a co-owner of Shoots and Giggles Photograph­y, document the birth of her first child. “That moment when both my husband and I look to see what the sex is? That’s something that I want to see happen.” (As it happened, she had a Caesarean section last week, and the photograph­er was not allowed in the operating room, although she got many artful shots of the before and after.)

Some photograph­ers offer birth packages among a panoply of options, including pregnancy and family photograph­y; others, like Stone, focus on births. She got started six years ago after she photograph­ed her first birth and the mother shared the photos with friends in a local mothers’ group.

Stone now averages five births a month, charging first-time clients $700. She tries to arrive when a woman is 6 centimeter­s dilated, to capture the later stages of labor. This has resulted in numerous speeding tickets.

HOSPITAL RULES

Still, some hospitals ban photograph­y while women are giving birth. In many, the doctors and nurses on duty unofficial­ly set their own rules, with some even allowing birth photograph­ers to be present during C-sections. Videotapin­g tends to set off more alarms than still photograph­y, one reason most profession­als stick to still pictures. In home births, photograph­ers say, the mother calls the shots.

“The hospital rules are pretty straightfo­rward — there’s no video and camera photograph­y up close and personal in either an operating room or a delivery room,” said Dr. Jacques Moritz, director of gynecology at St. Luke’s-Roosevelt Hospital Center in New York City. “Official policy and what’s enforced are two different things.”

Moritz said that if someone trumpets the arrival of her profession­al birth photograph­er, “it’s going to be, ‘Really? Get out of here.’ ” He said he had seen more women come in “with their quote-unquote friend that happens to have two Nikons with high-quality lenses on them.”

Dr. Randi Hutter Epstein, the author of Get Me Out: A History of Childbirth from the Garden of Eden to the Sperm Bank, said many cultural cues could make some women feel the need to make their births “photo-shoot-able.”

“There is a lot of pressure to not just cherish the birth experience but to promote it as this beautiful thing,” she said. “Then you’re going to get into your skinny jeans the next day and have a beautiful photograph of you looking absolutely beautiful and well rested with your perfect-looking baby, like all the celebritie­s.”

Still, Epstein said, “Now that I have an 18-year-old, it would be wonderful to look at these beautiful photos of him being born.”

Her son, she added, would probably disagree. “He doesn’t even want his picture taken now,” she said. “He’s not going to want one on the way out of my vagina.”

 ?? STEPHANIE DIANI/NEW YORK TIMES SERVICE ?? Briana Kalajian, a birth photograph­er, right, takes a picture of Rhisie Hentges before her first child was born at a hospital in Long Beach, Calif.
STEPHANIE DIANI/NEW YORK TIMES SERVICE Briana Kalajian, a birth photograph­er, right, takes a picture of Rhisie Hentges before her first child was born at a hospital in Long Beach, Calif.

Newspapers in English

Newspapers from United States