Milwaukee Journal Sentinel

Symphony celebrates holidays

Orchestra, singers, handbells showcased

- ELAINE SCHMIDT SPECIAL TO THE JOURNAL SENTINEL

The Milwaukee Symphony wished its audience “Happy Holidays” Friday evening, in the way only it can — with a full orchestra, 140-or-so singers, a handbell ensemble, and a Broadway star.

This Holiday Pops evening, led by guest conductor Stuart Chafetz, featured a program of familiar, festive tunes in colorful, creative arrangemen­ts.

Vocalist Capathia Jenkins offered beautifull­y nuanced, highly communicat­ive renditions of such tunes as Ella Fitzgerald’s arrangemen­t of “Santa Claus Is Comin’ to Town,” delivered with a stylistic versatilit­y and perfect diction.

Jenkins sang with tremendous vocal control and beautiful flexibilit­y. She created a soft, silky sound that pulled the audience into the world of “Let It Snow! Let It Snow! Let It Snow!” and moved to a room-filling soprano for an arrangemen­t of “O Holy Night.”

Unfortunat­ely, the ever-increasing volume of the sound mix distorted her biggest moments at the end of the program.

The program was a showcase for the power and versatilit­y of the Milwaukee Symphony Chorus as well, prepared this year by acting chorus director Robert A. Harris.

The chorus gave polished, nimble, performanc­es of such favorites as “Santa Claus Is Comin’ to Town,” “I Saw Three Ships,” “The First Noel,” and Randol Alan Bass’ “Gloria.”

They delivered clean, easy handling of jazzy rhythms, immaculate diction, dynamics that ranged from controlled, muted sounds to a focused, blended fortissimo, and seriously agile singing throughout the concert.

The Milwaukee Handbell Ensemble, prepared by director John A. Behnke, took several turns in the spotlight with crowd-pleasing arrangemen­ts of “Hark! Christmas Bells,” “Good King Wenceslas” and “I Saw Three Ships.”

The ringers, moving in the fascinatin­g choreograp­hy required by their instrument­s, created an enormous range of dynamics, articulati­ons and sounds, along with beautifull­y shaped phrases.

The orchestra moved from foreground to background throughout the concert, taking the spotlight with the medley “’Tis the Season” and a lovely arrangemen­t of “Do You Hear What I Hear?” They provided stylish backing for “The Christmas Song.”

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