Milwaukee Journal Sentinel

TV that changed how we watch

- Kelly Lawler

There are some TV series from the past 10 years that are totally missable. There are some that are exquisite. And there are some that were vital to making TV what it is today.

What we define as television, how and when we watch it and who gets to create it changed dramatical­ly in the 2010s as more networks and services created a vast increase in TV shows. And on the cusp of the 2020s, TV is set to change again as mega-corporatio­ns including Disney and Apple introduce streaming services to an alreadycro­wded landscape.

As the decade draws to a close, we look back on the five shows that made the biggest impact on the industry in the past 10 years, from the start of the streaming age to the small superhero saga that paved the way for dozens more.

‘House of Cards’ (Netflix, 2013-’18)

The political drama was not Netflix’s first foray into original programmin­g (that honor belongs to “Lilyhammer,” a drama about a mob boss who resettles in Norway). But “Cards,” a remake of a British miniseries, was the streaming service’s first zeitgeist hit, first Emmy nominee and the first show to prove that streaming could be a viable source for new television. It will not be remembered as the streamer’s best show, but as streaming is set to become the dominant form of TV viewing, it’s good to remember that none of it might have happened if “Cards” hadn’t set the stage.

‘American Horror Story’ (FX, 2011-present)

If “Cards” helped change how we watch TV, producer Ryan Murphy’s FX horror series changed how it was made. When the first season of “American Horror Story” killed off its main cast and set the stage for an entirely new story in Season 2, the era of the modern anthology officially was born. We’ve seen these types of shows pop up everywhere, from HBO’s “True Detective” to ABC’s “American Crime” to AMC’s “The Terror.” Some reuse the same cast in different roles, others cast new actors every year. The promise of committing only to one season has helped lure bigger stars, and the constant story shakeups has kept many of these shows fresh and exciting far longer than they might have lasted otherwise.

‘RuPaul’s Drag Race’ (Logo, 2009-’16; VH1 2017-present)

The journey of this reality competitio­n for drag queens is exactly the kind the kind of story that wows the “Drag Race” judges when a contestant takes a similar Cinderella path to victory. The late 2010s saw the meteoric rise of “RuPaul” and her queens. What once was a cult series on LGBTQ network Logo has become a cultural force since its move to the more popular VH1, turning drag queens into household names and introducin­g the performanc­e genre to a wider audience. The drag competitio­n didn’t inspire many direct copycats, but it helped pave the way for such series as FX’s Emmy-winning “Pose.”

‘Arrow’ (CW, 2012-’20)

The superhero boom was as fast and massive as Superman on the big screen, but far slower (and smaller) on TV. Superheroe­s are not the big hits on TV as they are at the box office, nor do they star A-list actors or feature the most popular hero characters. The model for the modern major superhero series is CW’s “Arrow,” which launched the network’s DC Comics universe in 2012 that now includes “Supergirl” and “Legends of Tomorrow.” With its modest use of computer graphics, dark tone and character focus, “Arrow” paved the way for competitor Marvel to break into the TV realm, as well as supershows such as HBO’s “Watchmen.”

‘Game of Thrones’ (HBO, 2011-’19)

The past decade has seen not just an explosion in the number of series but an increase in their scale, thanks in to HBO’s fantasy juggernaut. “Thrones” kicked off a trend of supersizin­g all aspects of production: computer effects, sets, costumes, episode length and budgets. The trend is akin to the bombastic “Avengers” and “Star Wars” films that also were popular this decade, when more was always the answer. The series’ popularity and Emmy wins helped legitimize epic fantasy as a TV genre. (Many more will following, including Amazon’s “Lord of the Rings” series.)

 ?? NETFLIX ?? “House of Cards,” starring Robin Wright and Kevin Spacey, was Netflix’s first hit, first Emmy nominee and the first show to prove that streaming could be a viable source for new television.
NETFLIX “House of Cards,” starring Robin Wright and Kevin Spacey, was Netflix’s first hit, first Emmy nominee and the first show to prove that streaming could be a viable source for new television.
 ?? THE CW ?? The model for the modern major superhero series is CW’s “Arrow,” which launched the network’s DC Comics universe in 2012 that now includes“Supergirl” and “Legends of Tomorrow.”
THE CW The model for the modern major superhero series is CW’s “Arrow,” which launched the network’s DC Comics universe in 2012 that now includes“Supergirl” and “Legends of Tomorrow.”

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