New Haven Register (Sunday) (New Haven, CT)

Homes redesigned by a pandemic

- DUO DICKINSON Duo Dickinson is a Madison-based architect and writer.

The earth has not been universall­y reoriented since the Chicxulub asteroid ended the Cretaceous Period 65 million years ago.

In the 21st century, humanity, like that asteroid, has come to dominate our world. Climate change is wrought by humans, but slow to convey its existentia­l threat. Now, COVID-19, a fully global pandemic, has made it clear this era’s easy connection­s between humans have immediate and deep consequenc­es.

My hope is that we will not be this epoch’s dinosaurs, despite all the forced change. I think understand­ing the way people adapt to change can give all of us hope in times of fear. Architectu­re is referred to as the “Mother of the Arts.” It is the synthesis of aesthetics, technology, use, the environmen­t, even culture in the way we build. Building is perhaps the most human of human acts. How we make things reflects how we see the world. COVID-19 has revealed we did not see the consequenc­es of how we see the world.

It has only been three months since the COVID-19 asteroid hit our lives, and humanity is in a fenzied rush to divine how this changes the way we build. In March, Alyssa Giacobbe of Architectu­ral Digest heralded the accelerati­on of the death of the open office plan, new ways of defining “open spaces,” the use of “anti-bacterial fabrics” and the end of common

access bathrooms.

Forbes Magazine reporter Jeffery Steele talks to architect Marianne McKenna, who sees other architects “hitting pause” in their profession­s.

Dwell magazine has been thinking of “How the COVID-19 Crisis Will Change Our Homes Forever.” The post-World War II bathroom, 5 feet wide, 7 feet long, is too tiny, and the whole house will change in favor of large open spaces — deterring easy viral spread, and there will be, of course, new focus on the home office.

Many architects have defined ourselves by the branding of a “style,” or the use of cutting-edge technologi­es, or even the elusive pursuit of “beauty” in their work. But those crutches, tropes and aspiration­s go silent when the game has no board. Into a new place that does not offer “correct” or defendable aesthetics and approaches, all of us need to take a breath and listen.

What do you value? Have those values changed? How has that change affected the way you live? Our homes are simply our largest suit of clothes. They should reflect those who wear them, or they bind, droop and chafe.

In our coping with forced change, all humans inevitably jump to conclusion­s.

Endless think pieces proclaimin­g “work from home is here to stay,” “skyscraper­s are dead” or “people will grow their own food” may be true. Or none may be true.

Just like the asteroid violently told the dinosaurs, the world may just be telling us, again, just to get over ourselves. Rather than be victims of our circumstan­ces, we can listen and learn before we act. Architects can start by giving a voice to all those involved in making a building, including those in the community where you build. Then weigh that criteria so this lack of control becomes a creative opportunit­y.

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