Jones and Lansbury
Politics is a dirty business. No shock there. Just read or watch the news. So if in 1960 the candidates were different, the game was the same — smear or be smeared. That idea beats at the heart of Gore Vidal’s diverting dramedy “The Best Man,” about candidates battling for a party’s presidential nomination. Both have damaging info on the other. Who will use it?
The play, like a lot of speeches, is witty but long-winded. At times it’s implausible. At others it’s prescient — a pivotal bit about mental health records recalls 1972 veep nominee Thomas Eagleton.
Director Michael Wilson’s cast is like the U.S. flag — stars of every stripe from film, TV and stage.
Two old pros bring big waves of vitality to the revival. As blustery exPresident Arthur Hockstader, whose support could sway the tight race, James Earl Jones is as persuasive and captivating as a bullhorn.
Just as great is Angela Lansbury in her irresistibly tart and smart turn as Sue-ellen Gamadge, chairwoman of the women’s division. Don’t let Sue’s ruffles fool you, she’s a shrewd operator.
The key candidates are played by two appealing Emmy winners. John Larroquette makes a stately and steady William Russell, the gentlemanly liberal contender for the party nod.
Eric Mccormack works a sly smile overtime as his scheming opponent, Sen Joseph Cantwell. Even his name