KING OF COMEDY
Showbiz world mourns nutty Hollywood icon, telethon tearjerker
The slapstick antics of Jerry Lewis (above in 1963 and inset in 2011) made him a movie legend before he went on to raise billions of dollars as host of Muscular Dystrophy telethon.
LOVE OR hate Jerry Lewis, you knew he was in the room.
Lewis, who died Sunday at 91, turned himself into an American entertainment institution, first as a maniacal slapstick comedian and then as the 45-year host of tearjerking annual TV telethons that raised a staggering $2.6 billion for muscular dystrophy research.
A statement from Lewis’ family confirmed the comedian “passed peacefully at home of natural causes with his loving family at his side” in Las Vegas.
The Friars Club mourned the loss, saying it was “deeply saddened by the passing of our beloved abbot.”
Inside the comedy world, Lewis was revered as a genius. The 2011 Lewis documentary “Method to the Madness” featured comedians from Billy Crystal to Eddie Murphy to Chevy Chase praising his singular style of comic lunacy and pathos.
“I get paid,” Lewis once said, “for what most kids get punished for.”
“If you don’t get Jerry Lewis,” Jerry Seinfeld said in “Method,” “you don’t understand comedy.”
For American audiences, Lewis’ career had three major segments: His early television, stage and movie collaboration with Dean Martin, which ended in 1956; his solo movie career, which peaked in the 1960s; and his return every Labor Day for the Muscular Dystrophy Association telethon, which he hosted until 2010.
His tearful pleas for “Jerry’s Kids” and his rendition of “You’ll Never Walk Alone” became television signatures.
Lewis was also known throughout his career as an attentive and demanding businessman who knew the nuts and bolts of his business.
In 1969, he co-founded the Jerry Lewis Cinemas, a chain of intimate movie theaters that initially showed only family-friendly films. While it folded a decade later, he developed while working on it foreshadowed the modern-day stage with Martin. multiplex model of several theaters The two met in 1945, when in one building. Martin was a rising nightclub singer
But he made his most indelible and Lewis a comic who specialized mark as a comedian, with a style in zany lip-syncing to recorded that featured physical comedy including music. They formed an act in 1946, facial contortions and rapid-fire with Lewis as the wise guy and Martin repartee. as the straight man.
His prominent influences included Team comedy was a popular Charlie Chaplin and vaudeville, shtick from vaudeville, but Martin in which his Russian immigrant parents and Lewis distinguished themselves had worked. by often breaking away from
“Jerry Lewis kept us all laughing traditional scripted sketches. for over half a century, and his incredible Their improv could occasionally charity work touched the run out of control. A notorious pirated lives of millions,” the White House recording that circulated for said in a statement. years had the two swapping increasingly
“Our thoughts are with his family explicit obscenities. today as we remember the The duo became stars on the extraordinary life of one of our nightclub circuit, reportedly earning greatest entertainers and $30,000 a week at the Copa. humanitarians.” They also moved from radio to television
Lewis’ dialogue often sounded variety shows to the movies, improvised even when it wasn’t, reflecting making 16 pictures for Paramount the style of free-form banter from 1949 to 1956.
These light comedies, from “My Friend Irma” to “Hollywood or Bust,” made them international stars who even had their own comic book. From 1952 to 1957, DC published “The Adventures of Dean Martin and Jerry Lewis.”
The movies eventually began featuring the expressive Lewis more than Martin, and that contributed to the friction that led to an unpleasant breakup in 1956. Neither spoke of the split for years, though at Frank Sinatra’s urging they reconciled in 1976 on Lewis’ telethon. Martin died in 1995.
When Lewis embarked on his solo movie career, he got a profitsharing deal and extensive creative leeway that resulted in such character-driven movies as “The Bellboy,” “Cinderfella,” “The Errand Boy,” “The Family Jewels” and “The Nutty Professor.”
With the exception of “The Nutty Professor,” a Dr. Jekyll and Mr. Hyde takeoff that drew widespread praise, many of his films were criticized as excessive, indulgent and juvenile. Lewis said in 2011 that didn’t bother him, “because I didn’t know it. I never read negative things.”
For many years it became a running joke that Lewis’ movies were more highly regarded in France than in the United States — France’s prestigious Cannes Film Festival honored Lewis in 2013.
Lewis’ American critics said that showed what the French knew about comedy, while his French defenders said it just proved Americans didn’t appreciate true culture.
He continued making and producing movies all his life. For years, he taught a filmmaking class at the University of Southern California, where his students included Steven Spielberg and George Lucas.
Lewis’ own movies included at least one notable misfire, “The Day the Clown Cried,” in 1972. Lewis played a circus clown who is sent to a concentration camp, and it stirred such controversy it was never released. In later years, Lewis said that was just as well.
He did better playing a late-night talk show host in Martin Scorsese’s dark 1982 satire, “The King of Comedy.”
In 1996, he executive-produced the remake of “The Nutty Professor” with Eddie Murphy. He went back and forth in later years about whether he was pleased with the result, which he said wasn’t as “perfect” as the original.
In one of Lewis’ last on-camera roles, he starred in the 2013 film “Max Rose” as an aging jazz pianist.
“I’ll keep making movies as long as there are things I want to say,” said Lewis in 2011.
He didn’t get that option with the Muscular Dystrophy Association telethon, from which the MDA
abruptly dismissed him after the 2010 production.
At its peak, the telethon ran 21½ hours on Labor Day, with Lewis pleading, cajoling, joking and welcoming a stream of celebrity guests, all the while standing in front of a giant tote board with rolling donation totals.
He raised an estimated $2.6 billion for the MDA during his 45 years, and he was clearly wounded when the association decided to shorten the show and go with multiple co-hosts starting in 2011.
Lewis resigned from the MDA board, and plans for a farewell appearance in 2011 were canceled. But he said later that year that the telethon remained one of his proudest life achievements.
He also had multiple health issues in his own life.
He suffered at least three heart attacks, in 1960, 1982 and 2006. He suffered from prostate cancer, Type 1 diabetes and viral meningitis, for which he was hospitalized for five months in Australia in 1999.
He was also afflicted with pulmonary fibrosis, for which he was treated with prednisone in the early 2000s. The drug resulted in weight gain that dramatically changed his lean appearance.
He suffered a serious back injury during a comic pratfall at a club in 1965, narrowly escaping paralysis, and later admitted he became addicted to the painkiller Percodan for the next 13 years.
In 2012, he collapsed at a Friars Club event from hypoglycemia.
Lewis was born Joseph Levitch in Newark on March 16, 1926. His mother was a piano player, and by the time the young Joseph was 5, he was joining his parents for their stage routine in the Catskills.
He soon developed his “Record Act,” miming lyrics to recordings, and he dropped out of Irvington High School in the 10th grade to pursue a show business career.
He was married twice, to Patti Palmer from 1944 to 1980, and to SanDee Pitnick from 1983 until his death. He was 56 when he married Pitnick, a Las Vegas dancer who was 32.
He had six sons with Palmer, one adopted, and an adopted daughter with Pitnick.
His oldest son, Gary, became a pop music star with Gary Lewis and the Playboys in the 1960s. His youngest son, Joseph, died of a drug overdose in 2009.
Lewis hosted three TV variety shows of his own and none was successful. He didn’t succeed in getting to Broadway with a 1976 roadshow revival of “Hellzapoppin,’ ” in which he co-starred with Lynn Redgrave. But he did eventually hit the Great White Way with a short 1995 run of “Damn Yankees,” playing the devilish Mr. Applegate.
He received only two major award nominations for his work — a prime-time Emmy nod in 1952 and a BAFTA nomination for “The King of Comedy” in 1983.
He has two stars on the Hollywood Walk of Fame and was awarded the Jean Hersholt Humanitarian Award in 2009 from the Academy of Motion Picture Arts and Sciences.
He also had no problem appreciating his own work.
“People hate me,” he once said, “because I am a multifaceted, talented, wealthy, internationally famous genius.”
Asked in 2011 if he felt he had fulfilled his life destiny, he said, “Not yet, but I’m getting close. Get the cure for muscular dystrophy. Then I’m fine.
“Otherwise, I’m the happiest old man you’ve ever seen.”