New York Daily News

Super-secret Oscar ballots

4 academy members — an actor, director, writer and producer — dish on how they’re voting

- BY GLENN WHIPP glenn.whipp@latimes.com

Academy members were busy balloting, replaying movies to freshen their memories and considerin­g whether an Oscar vote for “Roma” in the foreignlan­guage film category is enough or to go all in and mark it for best picture as well.

We asked academy members from four branches — writer, actor, director, producer — to anonymousl­y share their choices in the top six categories. In some cases, they were still debating. But here’s a snapshot of where they’re currently landing.

Writer Woman in her 30s

Picture: I debated between “Black Panther” and “The Favourite,” deciding on “Black Panther.” My best picture picks have always been based on movies that fill me up and stay with me on top of being technicall­y wellmade. I want a best picture winner to be a movie that took the most risks and that people enjoyed (aka went to see). I loved “The Favourite” but ultimately decided on “Black Panther” because it ticked every box for me and yet didn’t feel like a movie designed for winning Oscars.

Director: This was a tough one. I think that Alfonso Cuaron absolutely deserves the Oscar for “Roma” — it was so gorgeously shot, and as a writer I have so much respect for how he can tell a story with images. However, Spike Lee is Spike Lee. I try to base my opinions on the filmmakers’ current films, and I don’t know if “BlacKkKlan­sman” is a better-directed movie than “Roma,” but I do know that Spike Lee has somehow never been nominated for director, and I want him to win for his consistent ability to move my world sideways with his storytelli­ng.

Actress: I would be happy with any of these women winning, but my favorite performanc­e was Olivia Colman’s. Her ability to emote the endless pit of sorrow just underneath her frazzled demeanor broke my heart. Plus, I feel like best actress nominees never get to be funny, and, my God, was she funny.

Actor: Rami Malek. I was not a fan of “Bohemian Rhapsody,” but I was impressed with Malek’s performanc­e. If Christian Bale takes this, that’s fine. Both men took on very physically altering roles, and both men did a good job with those roles. But one played a ferocious rock star with gusto and complexity that transcende­d the movie itself, so I’m going to go with that one.

Supporting actress: Regina King. No question. Again, I loved all the performanc­es in this category, but the scenes in Puerto Rico alone earned her this Oscar for me.

Supporting actor: Richard E. Grant is my choice in this very stacked category. I’d be pleased with any of these actors winning, but Grant’s performanc­e was moving and caustic and perfectly pitched, and I want him to be in every movie.

Actor Man in his 50s

Picture: I’m going with “Black Panther.” It sounds bananas. I thought the popular film Oscar idea was absurd, and I’m glad they got rid of that quickly. Ryan Coogler ... to go from “Fruitvale Station” to this in five years is incredible. That whole production should be honored. I think it would be good for the industry, and I think it would be good for the academy. And if “Bohemian Rhapsody” wins, I’ll quit the academy.

Director: If I could vote for Bradley Cooper, I would. I thought he got ripped off. So Pawel Pawlikowsk­i (“Cold War”) is my choice.

Actress: Olivia Colman, I think. I’m partial to Glenn Close finally getting an award. But I’m not a fan of the movie. I’m a fan of her amazing performanc­e. But the range Colman shows in “The Favourite” just covers all the bases. She gets to do everything in the emotional spectrum in that film.

Actor: I’ve been going back and forth between Rami Malek and Christian Bale. I’ve watched both films two or three times. It’s so silly and arbitrary to say that Rami Malek’s performanc­e is better than, say, Bradley Cooper. They’re all so individual­ly fantastic. But I loved what Rami Malek did, and the work ethic he brought to it was extraordin­ary.

Supporting actress: I love Regina King. She’s always just been an underrated actor for me. She brings such strength to everything she does. Plus, I love “If Beale Street Could Talk.” I think it’s an underrated movie, and I’d like to see it win something.

Supporting actor: Richard Grant is fabulous in “Can You Ever Forgive Me?” And there’s no bigger “Withnail and I” fan than I am. I just love seeing a comeback story.

Director Woman in her 40s

Picture: Alfonso Cuaron has made so many amazing movies, but I think “Roma” is his best. It’s personal, it’s political and it’s a world you can lose yourself in repeatedly. I’m glad it’s on Netflix. I know so many people who’ve seen it who otherwise would never have taken the plunge. Director: Again, Cuaron for all the same reasons.

Actress: Olivia Colman. All those things I said about “The Favourite” are there in Colman’s acting. It’s wonderful to see so many people discoverin­g her with this movie.

Actor: I think Willem Dafoe in “At Eternity’s Gate” does something extraordin­ary. He makes you see how consumed Van Gogh was by his passion, by his art. It’s the first Van Gogh movie I think that’s truly made a case for the necessity of art.

Supporting actress: I came close to voting for the screenplay of “If Beale Street Could Talk,” so I feel moved to support Regina King here for her wonderful work in that movie. Supporting actor: Richard E. Grant made me laugh, and he made me cry. That counts for a lot.

Producer Man in his 50s

Picture: “Roma,” for its delicacy and expertise in craft. (Forget) the Netflix theatrical argument. I’m so sick of that discussion. It’s just a super-wellcrafte­d movie that deserves all the accolades. That’s a clear choice to me.

Director: Hands down, Cuaron has to win. It’s a singular vision. I know he’s been lauded already, but I don’t care. He deserves this.

Actress: I’m probably spitting in the wind here, but Melissa McCarthy. I’m a New Yorker, and I know that lonely person. And she just blew me away.

Actor: I’m really fighting through two choices. I didn’t like “Vice.” I’m a big fan of Adam McKay, but I didn’t think this was a well-built narrative. However, Christian Bale is transforma­tive, and if you could separate a performanc­e from a movie, it’s here. But Rami Malek ... like Christian Bale, he personifie­d this real person but also made it his own. I’m leaning toward Rami because I appreciate­d the movie more.

Supporting actress: I’m so confused. I almost don’t have a choice ... but Regina King will probably be it. “The Favourite” was fun, but Emma and Rachel — and I felt the same way about Amy — great scenes, for sure, but those performanc­es came up short.

Supporting actor: This is really hard. Again, because I love the movie, I was thinking of Richard E. Grant. But I think I’m going with Adam Driver, who I think stole the movie as a supporting actor.

 ?? MARVEL STUDIOS ?? Chadwick Boseman, left, and Daniel Kaluuya in “Black Panther,” a best picture nominee.
MARVEL STUDIOS Chadwick Boseman, left, and Daniel Kaluuya in “Black Panther,” a best picture nominee.
 ?? YORGOS LANTHIMOS/FOX SEARCHLIGH­T ?? Rachel Weisz, left, and Olivia Colman, in “The Favourite,” are both up for acting Oscars.
YORGOS LANTHIMOS/FOX SEARCHLIGH­T Rachel Weisz, left, and Olivia Colman, in “The Favourite,” are both up for acting Oscars.

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