New York Daily News

City big’s firing was fine: judge

Famed for ‘Live and Let Die’ & ‘Alien,’ he was 81

- Stephen Rex Brown

A Manhattan judge tossed a wrongful terminatio­n lawsuit brought by a former top city official who helped the feds probe Mayor de Blasio’s fund-raising practices.

Former Department of Citywide Administra­tive Services Deputy Commission­er Ricardo Morales said he was canned because he raised questions about lease negotiatio­ns for a Queens restaurant, Water’s Edge, and the sale of a Lower East Side nursing home, the Rivington House.

Both cases were eyed by federal investigat­ors probing de Blasio’s fund-raising practices. Morales cooperated with that investigat­ion.

But Manhattan Federal Judge John Koeltl wrote in a 40-page decision issued Monday that airing concerns about corruption were part of Morales’ official duties, and that he could not claim he was fired in violation of his First Amendment free-speech rights.

Morales also failed to establish a connection between his terminatio­n and the corruption concerns, the judge said.

“The plaintiff would have been terminated irrespecti­ve of the incidents on which he relies,” Koeltl wrote.

Yaphet Kotto, the commanding actor who brought tough magnetism and stately gravitas to films including the James Bond movie “Live and Let Die” and “Alien,” has died. He was 81.

Kotto’s wife, Tessie Sinahon, announced his death Monday in a Facebook post. She said he died Monday in the Philippine­s. Kotto’s agent, Ryan Goldhar, confirmed Kotto’s death.

“You played a villain on some of your movies but for me you’re a real hero and to a lot of people,” wrote Sinahon.

At 6-feet-3, Yaphet Frederick Kotto was a regular and compelling presence across films, television and Broadway beginning with the films “Nothing But a Man” (1964) and “The Thomas Crown Affair” (1968). He made his stage debut in a Boston production of “Othello.” In 1969, he replaced James Earl Jones in the Pulitzer-winning “The Great White Hope” on Broadway. His big-screen breakthrou­gh came as Lt. Pope in 1972’s “Across 110th Street.”

Raised in the Bronx and a descendant of Cameroonia­n royalty on his father’s side, Kotto (inset) was best known for his infuriated FBI agent in “Midnight Run” who has his badge stolen by Robert De Niro; the James Bond villain Mr. Big in “Live and Let Die,” and the technician Dennis Parker in 1979’s “Alien.”

“He’s one of those actors who deserved more than the parts he got,” director Ava DuVernay wrote on Twitter. “But he took those parts and made them wonderful all the same.”

Kotto was nominated for an Emmy for his performanc­e as Ugandan dictator Idi Amin in the 1977 television movie “Raid on Entebbe.” In Paul Schrader’s 1978 “Blue Collar,” about Detroit autoworker­s, he starred alongside Richard Pryor and Harvey Keitel as the ex-convict Smokey James.

Kotto also co-starred in the 1987 Arnold Schwarzene­gger action film “The Running Man” and played Al Giardello from 1993 to 1999 on the NBC series “Homicide: Life on the Street.”

“Memories and respect for

Yaphet Kotto, whose film career was legend even before he came to Baltimore to grace our television drama,” said David Simon, author of the book that launched the “Homicide” show. “But for me, he’ll always be Al Giardello, the unlikelies­t Sicilian, gently pulling down the office blinds to glower at detectives in his squad room.”

Kotto sometimes struggled with being typecast as a detective, and he lamented how many of his characters died in the end.

“I’m always called powerful, bulky or imposing,” Kotto told the Baltimore Sun in 1993. “Or they say I fill up a room. I’m a 200-pound, 6-foot-3-inch Black guy. And I think I have this image of a monster. It’s very difficult.”

“I want to try to play a much more sensitive man. A family man,” he added. “There is an aspect of Black people’s lives that is not running or jumping.”

Kotto is survived by his wife and six children.

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