New York Post

ALL ABOUT INK

Colorful new exhibit draws attention to tattoos

- By BARBARA HOFFMAN “Tattooed New York,” through April 30 at the New-York Historical Society, 170 Central Park West; NYHistory.org

DOROTHY Parker had one. So did Teddy Roosevelt, Winston Churchill’s mother and my father, a Navy man.

I’m talking tattoos, the vivid subject of a NewYork Historical Society show that features objects, drawings and photograph­s, as well as actual artists at work. (Demonstrat­ions are Fridays, from 2 p.m. to 8 p.m., and Saturdays, noon to 6 p.m.)

Don’t roll up your sleeves just yet: The tattooists are bringing their clients with them. If you’re not squeamish, you can watch.

There’s a lot to look at in “Tattooed New York,” an ambitious exhibit spanning more than 300 years, beginning with Native Americans, who believed the right markings had healing power, and moving on to today’s mastectomy survivors, who use designs to reclaim beauty after loss.

As curator Cristian Petru Panaite discovered, New York, its ports flush with sailors, became the capital town of tattoos. From its earliest years, the US Navy was awash in ink, its bored and/or inebriated sailors getting themselves marked with American eagles and naked ladies. When, in 1909, the Navy banned bawdy images, local tattoo artists made a fortune covering them back up.

Photos here show there were even more illustrate­d men and women at Coney Island’s sideshows and at the 1939 World’s Fair. It was there that people gawked at Betty Broadbent, who had Charles Lindbergh imprinted on one leg and Pancho Villa on the other. Although New York City outlawed tattooing in 1961 after an outbreak of hepatitis B, the ink continued to flow — albeit undergroun­d. By the time the ban was lifted, in 1997, a new generation had embraced the art of self-decoration. What was once a mark of rebellion had become mainstream.

Don’t be surprised if you find yourself itching to get inked: Panaite says he got two tattoos while curating the show. “It hurt a lot more than I thought it would,” he says. We can only wonder what compelled Parker to have a blue star by her elbow; Roosevelt to have his family crest tattooed on his chest and Churchill’s mom, a bracelet on her wrist. As for my sailor dad: He was barely 18 when he had an anchor tattooed on one forearm and a rose on the other — a tribute to his mother, Rose.

She hated it.

 ??  ?? Left: Ace Harlyn’s “Charlie Wagner Tattooing Millie Hull” oil painting depicts a young woman getting inked. Below: Two intricate designs circa 1875-1905, from the show. Tattoo artist Michelle Myles’ colorful Lady Liberty has one man’s back.
Left: Ace Harlyn’s “Charlie Wagner Tattooing Millie Hull” oil painting depicts a young woman getting inked. Below: Two intricate designs circa 1875-1905, from the show. Tattoo artist Michelle Myles’ colorful Lady Liberty has one man’s back.
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