New York Post

Malcolm Merriweath­er

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Don’t let that baby face fool you: Malcolm Merriweath­er is 31, but even so, he’s packed a lot in: A singer and conductor, he’s on the faculty of Brooklyn College, artist-in-residence at Union Theologica­l Seminary and is the music director of Voices of Haiti, a 60-member children’s chorus. He also conducts New York’s Dessoff Choirs, which performs Bach, Barber and more on April 1 (tickets at dessoffcho­irs.org). “I’m the only musician in my family,” said Merriweath­er, who grew up near Buffalo and now lives in Harlem, at the site of the old Savoy Ballroom. “My dad worked for General Motors, and my mom is a financial analyst. But they supported me, drove me to rehearsals and came to all my concerts.” Here’s what’s in this musician’s library. — Barbara Hoffman

Mountains Beyond Mountains: The Quest of Dr. Paul Farmer by Tracy Kidder

I read this book before my first trip to Haiti, where the Andrea Bocelli Foundation asked me to create a children’s choir in Port-au-Prince. Reading about how Dr. Farmer worked to eradicate tuberculos­is and other infectious diseases there, using his gifts as a medical doctor and scientist, gave me a dynamic way of thinking about what I was doing there.

Music in the Castle of Heaven by John Eliot Gardiner

This is basically a biography of Bach by John Eliot Gardiner, a prominent conductor. I read a lot of esoteric music books, but I think a layman would appreciate this one because it’s not overly technical. Bach’s music is like architectu­re: Form is everything, and it’s also evocative.

Working with Bernstein by Jack Gottlieb

I was a fellow at Tanglewood, where Leonard Bernstein had a long history. I’d heard so many anecdotes from teachers and conductors who worked with him. His energy! He’d get up at 6, go through correspond­ence, attend rehearsals with the NY Phil, meet with whomever, then have dinner at 9 that went till after midnight.

SomebodyS Blew Up America & Other Poems by Amiri Baraka

Baraka’s aesthetic was avant garde, politicall­y charged, vivid and often poignant. One of the poems here, “In the Tradition,” well, it’s epic. Music — mostly references to singers, bands, musicians — appears in almost every stanza. I am inspired by that, and this poem sings to me.

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