New York Post

SELLING HISTORY

Like a good tale? Village properties now on the market come with storied yet dubious pasts

- By JAMES NEVIUS

APRIL Fool’s Day, a holiday dedicated to all things phony, is a great time to explore the Village, where many of the stories linked to famous former residents are, alas, pure hokum. Right now, many buildings on the sales and rental markets in Greenwich Village — and its adjacent West and East Villages — come with such claims to historic glory. Further scrutiny, however, charmingly debunks the majority of these professed ties.

A few tales are oft repeated: the twin houses built by a ship captain for his feuding daughters, or the place where Edgar Allan Poe saw his doctor for a cold.

If you believe tour guides and brokers, you could rent an apartment in the very home where John Wilkes Booth planned Abraham Lincoln’s assassinat­ion — or purchase the speakeasy where they’d yell “86 it!” to send imbibing customers scurrying out the back door during a Prohibitio­n-era raid.

These stories often start with grains of truth and grow into myths that bear little relation to facts. Still, if sellers and buyers, and landlords and brokers, are content with embellishm­ent in the name of lively cocktailpa­rty banter, there might not be any harm in believing the exaggerati­ons.

Let’s start with that famous speakeasy, Chumley’s, at 86 Bedford St., which is asking $12.75 million. Establishe­d in 1928 by Leland Chumley, a radical and a member of the Internatio­nal Workers of the World (IWW, or “Wobblies”), the bar — like most others during Prohibitio­n — had no sign or indication it served alcohol. The front entrance was hidden in a courtyard on Barrow Street; the nondescrip­t house door on Bedford was the escape route, complete

with a tricky set of stairs that Chumley installed to trip up the police during a raid.

So far, so good. But did the bartenders really yell out “86 it!” — indicating the back door’s address — when patrons had to flee, creating the slang term that means to get rid of something? Unfortunat­ely, as linguistic sleuth Barry Popick discovered, the phrase was likely used by restaurant­s before Chumley’s even existed. If there’s a connection, it’s at best a coincidenc­e.

But that doesn’t mean the building isn’t soaked in decades of stories that are probably true, from Edna St. Vincent Millay tending bar to F. Scott Fitzgerald sleeping it off in a corner booth. Above the bar, Chumley ran a secret meeting place for fellow radicals (supposedly Wobblies would be hoisted up via dumbwaiter to avoid detection) where he also published IWW pamphlets.

In October, restaurate­ur Alessandro Borgognone reopened the speakeasy after a major renovation. Then, in February, the entire building hit the market for $12.75 million, courtesy of Meridian Capital Group’s David Schechtman. The upstairs has been converted into a lovely two-bedroom, 2½-bathroom duplex — though arrival via dumbwaiter is no longer an option.

Walk around the corner to 45 Grove St. and you’ll find an 1830 Federalsty­le home. For years, tales have circulated about how crucial this place was to John Wilkes Booth’s plan to assassinat­e Abraham Lincoln. What’s true is that Booth did approach a resident there, Samuel K. Chester, and tried to engage him in what was then a mere kidnapping plot. Though Chester turned Booth down, that hasn’t stopped everyone — from tour guides to PBS’ “History Detectives” — from snooping around for a link to one of America’s most shocking murders. Today, the building’s 15 charming apartments rent for between about $2,800 and $5,500 a month — but the chances are much greater that a wounded soldier once bunked there, not an infamous assassin.

In fact, there are a lot of boldface names attached to properties in the Village who didn’t actually live there. For years both Cary Grant and John Barrymore have been linked to 75½ Bedford Street, the city’s narrowest house — which sold in 2013 for $3.25 million — but there’s no evidence either man stayed there. Also, the plaque on the front of the building that says Edna St. Vincent Millay wrote her Pulitzer Prizewinni­ng poetry there isn’t true, though at least Millay did live in the home. Millay came to the home via the nearby Cherry Lane Theater, which owned the building.

Around the bend stand 39 and 41 Commerce, a pair of 1832 townhouses connected by a courtyard garden. The story that they were built by a ship captain for his feuding daughters — who had to see each other when leaving through the garden — is so pervasive that people steadfastl­y refuse to believe the true conditions of the twin buildings’ constructi­on. In reality, a milkman built them for investment income just as the Greenwich Village was becoming a heavily populated area. (Honestly, that’s a much more New York story.)

Another apartment building with units currently on the market is 102 Bedford St., an eclectic half-timbered building that looks like something from a fairy tale. Maybe that’s why one name frequently attached to the address is Walt Disney, who is said to have rented there. Units up for rent range from $2,900 for a cute studio to $5,750 for a one-bedroom unit. But none is Walt’s former abode. “Seeking New York” author Tom Miller calls the chance of Disney living in the building “unlikely” — and that assessment probably goes for rumored residents Douglas Fairbanks and Cary Grant, too. Perhaps the most famous name associated with the Village is Edgar Allan Poe, whose poor finances meant he was constantly on the move. An elegant five-story townhouse at 116 Waverly Place sold in October 2016 for $21 million; the listing proudly touted it as the location of “The Raven’s” debut. While the address is correct, the building is not. The current house replaced the one where Poe hung out. According to John Strausbaug­h, an expert on the Village’s history, Poe’s connection to the 1831 Northern Dispensary — the triangle-shaped building across the street at 165 Waverly Place that served as a low-cost health clinic — is shaky, too. (Since converted to apartments, the most recent pad to rent there, a one-bedroom, asked $3,695 per month.) Even worse, back in 2000, NYU tore down Poe’s only verified Village home at 85 W. Third Street and replaced it with an ersatz copy in the wrong location that is part of the law school’s Furman Hall. It’s ironic that Poe is said to haunt the Village — but his actual haunts are gone.

Still, not every building’s great backstory is fabricated. Take the townhouse of Dore Ashton, the late art critic who championed the creative group called the New York School, as well as the work of Mark Rothko and other abstract expression­ists.

Ashton’s house at 217 E. 11th St., which is about go on the market for $4.5 million with Corcoran’s Paul Kolbusz, was known for wild dinner parties, where guests were allowed to talk for just 10 minutes before being required to spend the rest of the evening dancing.

Ashton’s daughter, Paris Marina Devereaux, recalls a 1973 dinner when Andy Warhol did an impromptu performanc­e piece during which “an axe was plunged through a blank canvas,” narrowly missing her grandmothe­r’s head. “While Andy laughed uncontroll­ably, the crowd fell silent,” Devereaux says. “Leave it to Mom: She quickly put on our favorite Spanish music and ordered everyone to dance.”

Besides Rothko and Warhol, other frequent guests included drip pioneer Jackson Pollock, painter Robert Motherwell and cartoonist Saul Steinberg. Like Chumley, Ashton would hold secret political meetings in the house; Devereaux grew up with tapped phones and occasional FBI sweeps.

In the end, perhaps it doesn’t much matter to sellers or buyers if the fables of yesteryear are true. Whether a house is steeped in real history or urban folklore, one thing is certain: If you like a good story, the Village is the best neighborho­od for you.

 ??  ?? Jackson Pollock Paris Marina Devereaux stands beneath a Terence La Noue painting in her childhood home at 217 E. 11th Street. She recalls epic parties with artists like Jackson Pollock at the townhouse, which is about to list for $4.5 million. Unlike...
Jackson Pollock Paris Marina Devereaux stands beneath a Terence La Noue painting in her childhood home at 217 E. 11th Street. She recalls epic parties with artists like Jackson Pollock at the townhouse, which is about to list for $4.5 million. Unlike...
 ??  ?? 217 E. 11th St.
217 E. 11th St.
 ?? Brian Zak/NY Post; Getty Images (inset) ?? Edna St. Vincent Millay (far left) tended bar at Chumley’s (below), but didn’t actually write poetry at narrow 75½ Bedford St.
Brian Zak/NY Post; Getty Images (inset) Edna St. Vincent Millay (far left) tended bar at Chumley’s (below), but didn’t actually write poetry at narrow 75½ Bedford St.
 ??  ?? Walt Disney did not, in fact, rent at 102 Bedford St. (and neither did Cary Grant). But you could nab this $5,750/month one-bedroom. Walt Disney
Walt Disney did not, in fact, rent at 102 Bedford St. (and neither did Cary Grant). But you could nab this $5,750/month one-bedroom. Walt Disney
 ??  ?? Edgar Allan Poe Macabre writer Edgar Allan Poe is incorrectl­y linked to several Village buildings, including this rental at 165 Waverly Place (above).
Edgar Allan Poe Macabre writer Edgar Allan Poe is incorrectl­y linked to several Village buildings, including this rental at 165 Waverly Place (above).
 ??  ?? Speakeasy Chumley’s at 86 Bedford St., whose building is on the market for $12.75 million, isn’t the source of the term “86 it.”
Speakeasy Chumley’s at 86 Bedford St., whose building is on the market for $12.75 million, isn’t the source of the term “86 it.”
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