New York Post

Renaissanc­e man at Oculus

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LAST week Scott

Sanders, who produced wonders like “The Color Purple” musical, placed the Sistine Chapel into the World Trade Center site. Thanks to him, Michelange­lo’s frescoes are currently on display at the Oculus downtown. So how did he do it?

Sanders: “‘ The Last Judgment’ [is] 45-by-40 feet. Not many places to hang that. We nearly shrunk it because we weren’t sure we could hang it from the Oculus’ 80-foot ceiling.

“Engineers worked all night until 3 a.m. The Oculus is a train hub with 200,000 people a day passing through and when the first commuters came by, it caused a commotion even on Instagram. Look, it’s serendipit­ous. It’s proof that downtown has come back.”

OK, but why specifical­ly this “Up Close: Michelange­lo’s Sistine Chapel” exhibit?

“Seeing it actually in the Sistine Chapel, it’s only for a few minutes. Your head’s cranked back, not up close, you can’t see every detail. We have 34 frescoes photograph­ed on large canvases, which people can examine as long as they like. We have audio guides in four languages. Also, I had a friend who managed to have the rights to do this.

“An Austrian cameraman was the photograph­er. We then enlarged them to lifesize, and they’ll next go on tour for 15 months.”

Or — until your next delayed train finally arrives.

 ??  ?? Cindy Adams
Cindy Adams

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