New York Post

FAMILY TRAUMA

In a new film, the daughter of a famous NFL star looks back at her father’s inspiratio­nal career that ultimately left him with CTE

- By KIRSTEN FLEMING “Requiem for a Running Back” will screen at Cinema Village (22 E. 12th St.; 212-924-3364) from Friday through Nov. 16.

AFTER Rebecca Carpenter’s father passed away in 2010 at the age of 78, her family received a call from Boston University asking to examine his brain and spine. “They said they were doing a study to examine the impact of concussion­s on former football players,” recalls Carpenter, whose father, Lew Carpenter, was a running back for the Detroit Lions and Green Bay Packers in the ’50s and ’60s. He played for legendary coach Vince Lombardi and later coached in the league for another three decades.

Though he never got a concussion, researcher­s found that the father of four still had advanced chronic traumatic encephalop­athy, a degenerati­ve brain disease caused by head trauma.

Carpenter’s family — whose entire world revolved around pigskin — was devastated by the news.

“This was going to possibly affect every man in my life. My father was the 17th case at BU. I thought, ‘What is the agenda here?’ ” Carpenter, a filmmaker, tells The Post. “I was angry that BU was trying to ruin football for my family and ruin my dad’s legacy. I set out hoping the study was being exaggerate­d.”

Armed with the new informatio­n from Boston University, Carpenter set out to make a film, looking at her dear father with more sympatheti­c eyes. The result is “Requiem for a Running Back,” a powerful documentar­y that explores the science behind CTE and tells the history of profession­al football through Lew’s career and personal life. (Carpenter and BU’s Dr. Ann McKee will host an evening screening at Cinema Village on Nov. 15.)

The diagnosis also shed light on her father’s changing personalit­y. Though he was known for his humor and storytelli­ng, his post-playing years had been marked by periods of depression and mood swings.

“The last five years [of his life] were difficult,” she says. “He became very withdrawn and he had been a really social person. And you start thinking, ‘Gosh, maybe he doesn’t like me.’ But that didn’t make any sense because I know he loved me.”

In interviews with players he coached, football greats and families of other players dealing with the debilitati­ng disease, Carpenter reconstruc­ts her complicate­d relationsh­ip with her father.

In one particular­ly uncomforta­ble scene, she interviews former Pittsburgh Steeler John Hilton, now deceased, who could barely string together a coherent sentence because he suffered from CTE. Carpenter and Hilton’s wife attempt to help him organize his thoughts.

“That’s when I realized how much of my adult life had been spent trying to fill in the gaps to make [my father] whole,” she says.

At its heart, the film is an homage to her loving father and the sport that lifted him out of poverty, but ultimately cost him his quality of life.

“I think of it as a love story and a film, as opposed to an investigat­ive documen- tary,” says Carpenter.

After her father died, one of the players he coached for Green Bay in the ’70s and ’80s, James Lofton, now a CBS sportscast­er, sent her an e-mail revealing a side of the stoic gridiron warrior she didn’t know.

“James said that he can still hear [my dad’s] voice in his ears saying, ‘You gotta love it,’ ” referring to the game, says Carpenter.

“I thought, ‘For real? My dad and the word love in the same sentence?’ I don’t know the guy that James just described. In a way, I went on the road to find the Lew who said, ‘You gotta love it.’ ”

So Carpenter dug into his poor childhood in West Memphis, Ark., where he grew up the son of a truck driver and waitress. She dissected her parents’ relationsh­ip, which began in high school but eventually dissolved. Carpenter’s mother recalls a vacant Lew leaving without so much as a discussion. But she also highlights the devoted father who coached not only NFL teams, but also her youth softball team, where he showed her tough love. “The way Lombardi would make his favorite players the example, we were his favorite players,” she says. “He thought we could handle anything. There was a real soulfulnes­s about him. He was fun, but he was also the most competitiv­e person you would ever meet.”

After making the film, Carpenter still finds her father’s postmortem diagnosis painful to accept. But she could feel her dad guiding her throughout the process.

“I wish every daughter had the opportunit­y to look at her aging parents and go back to the beginning,” she says. “Our story just happens to take place in the world of football. There are a lot of us who had a parent who was a mystery, and we can’t move on until we solve it.”

She also sees the game in a different light. Her nephew, who was a star high school player, even decided to stop playing the game after seeing the film.

“Football is such a beautiful sport, and being around a bunch of football players is the most fun,” she says. “But if you’re going to choose it, you need to understand the risks.”

 ??  ?? Filmmaker Rebecca Carpenter’s father, Lew Carpenter, an NFL running back, was posthumous­ly diagnosed with CTE. She describes a man who was dedicated to his daughters (below, in 1962, with Rebecca’s three sisters), but later grew emotionall­y distant...
Filmmaker Rebecca Carpenter’s father, Lew Carpenter, an NFL running back, was posthumous­ly diagnosed with CTE. She describes a man who was dedicated to his daughters (below, in 1962, with Rebecca’s three sisters), but later grew emotionall­y distant...
 ??  ??
 ??  ?? Carpenter made “Requiem for a Running Back” in honor of her late father.
Carpenter made “Requiem for a Running Back” in honor of her late father.
 ??  ?? Cross sections of Lew Carpenter’s brain (injected with dye) show high levels of tau protein at the edges, which is a marker of CTE.
Cross sections of Lew Carpenter’s brain (injected with dye) show high levels of tau protein at the edges, which is a marker of CTE.

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