TheycallhimProf
He teaches at CUNY, but brought the sensuality of Italy alive on the page
‘C ALL Me by Your Name,” expected to be one of this year’s Oscar favorites, came together because of a botched vacation.
It started in April 2005, when André Aciman’s plans to take his wife and three sons to a Mediterranean villa fell through. Frustrated, the Upper West Side novelist and City University of New York professor started writing a love story set on the Italian Riviera in the mid-1980s.
“I was writing about a nice house with a pine alley . . . there was a young man in the house, basically a portrait of who I would be if I grew up in Italy,” the 66-year-old, who grew up in Egypt, tells The Post. “And then there was a young man who comes in the picture . . . I wasn’t planning on writing that kind of story. It just blossomed out of my own curiosity.”
Written in just three months, “Call Me by Your Name” is a tender coming-of-age tale about Elio, a 17-year-old who falls in love with Oliver, a 24-year-old graduate student who’s studying with Elio’s professor father for the summer. When it was published in 2007, critics called it a modern gay classic. A film producer bought the rights to the story that same year.
Opening on Friday (see review above), the film stars Armie Hammer and Timothée Chalamet as the lovers. Aciman, who has a brief cameo as Elio’s family’s friend, says he hopes the story’s same-sex romance will resonate with everyone.
“This is the biggest secret of humanity,” he says. “Everybody assumes that if they suddenly have a stirring for the same sex that it’s only them . . . that nobody feels this way, but we all do.”
Despite some people expressing concern about the seven-year gap between the lovers, Aciman sees nothing wrong with their love. “[Their relationship] is so consensual,” he says. “There’s clearly abuses out there . . . but Elio is the one who asks and Oliver says, ‘We can’t do this. This is wrong.’ We’re not talking about 10-year-olds. [Elio] is almost 18. Would 18 have been a better age? I don’t know.” Aciman says he’s happy with the film version. “The best scenes in the movie were right out of the book,” he says. One of his favorite moments is when Elio’s father tells his son the importance of being vulnerable in love: “I got a lot of mail from gay men in their 60s who basically said, ‘This book moved me because I only wish my father said that to me.’ ”