New York Post

Sitting down with Spike

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SPIKE Lee. Two rings on one hand. Jean jacket with a white and blue — no red — flag on the back and “Defend Brooklyn” on each shoulder.

His “BlackKklan­sman’s” been viewed at Cannes, in previews, homes, premieres, festivals, screenings, parties, magazine covers, and was nominated for four Golden Globes.

Monday, he told me: “Inspiratio­n’s from everywhere. This idea began at the Martha’s Vineyard house I’ve had 20 years. In our final stages of production, I added a coda. The August 2017 racial siege in Charlottes­ville, Va.

“A real tough scene dealt with Heather, a protester murdered in the riot. The terrorist who did it got life in prison.

“Hardest thing I ever had to handle was to call her mother, Susan Bro, and offer condolence. Nothing I could do about the killing of her daughter. She knew who I was. She’d seen my movies. But I needed her permission to include her daughter’s image in the film. I asked if I could. I was not going to include it without her permission.”

“Not a long call. No ‘Hi, how you doin’?. I wanted to be brief. I tried being as honest, simple and humble as possible. This lady lost her daughter. She was solemn. But she gave me her blessing.”

This “storytelle­r into my fourth decade as a filmmaker” has two nomination­s and an honorary award, but he hasn’t yet really gotten his Oscar.

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