New York Post

BUZZ BOOK: Iceland’s coolest author

- — Mackenzie Dawson

Nordic noir has been popular for the more than a decade, but in the past few years, Icelandic authors have gained some much-deserved visibility, with scores of titles being translated into English. This winter, I’ve found myself really getting into Ragnar Jonasson, whose dark, atmospheri­c thrillers are perfect for lockdowns and cold weather.

In Jonasson’s books, the harsh and unforgivin­g Icelandic winter might as well be its own character. The driving snow, the short days of limited sunlight, the remote locations cut off from the rest of civilizati­on — all combine to create a perfect storm of danger and intrigue.

“I find claustroph­obia and isolation incredibly interestin­g themes to work with, especially the impact isolation can have on people,” says Jonasson. “I’ve experience­d the feeling of being almost snowed in, in one of the small villages I write about, and it is a strange feeling indeed.

“The isolation also serves another purpose in my books: I’m a huge fan of the golden age of detective fiction, having read authors such as Agatha Christie, Ellery Queen and S.S. Van Dine through the years,” he continued, “and I truly enjoy trying to recreate some of the atmosphere from that era, including from the locked-room mysteries. A snowstorm or a faraway village can, to some extent, have that same impact, limiting the number of suspects and creating a puzzle and a challenge to the reader.” Jonasson has two collection­s: The Dark Iceland series (six titles starring a young policeman named Ari Thor) and The Hulda series, which includes three books centering on Reykjavik policewoma­n Hulda Hermannsdó­ttir. (The first book in that series, “The Darkness,” is being developed into a TV series with CBS Studios; a release date has not yet been announced.)

In Jonasson’s new stand-alone title, “The Girl Who Died,” (available May 4 from Minotaur Books), a young woman decides to leave Reykjavik for a teaching position in the small, extremely remote fishing village of Skalar. She only has two pupils and is living in a house that seems to be haunted by the ghost of a young girl. Still, the living residents of the town — secretive and insular — seem more dangerous than the ghosts.

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