New York Post

Oscars say Shia-nara?

Vanessa Kirby’s first nom tarnished by co-star LaBeouf

- By SARA STEWART

Vanessa Kirby triumphed over two things to win her Oscar nomination for “Pieces of a Woman” today: The film’s bleak plot and the scandal surroundin­g her co-star, Shia LaBeouf.

But the British actress, who gives a brilliant, intense performanc­e as a woman who loses her baby in childbirth, is considered a long shot for the win — and LaBeouf’s presence in the film could make the odds longer still.

It doesn’t help that LaBeouf’s character becomes increasing­ly abusive toward his traumatize­d wife (Kirby), attempting to force her to have sex with him in one scene, and in another, throwing a large ball at her face while she’s holding a lit cigarette. It’s exactly the kind of behavior that calls to mind allegation­s made by FKA twigs, 33, in her December lawsuit against her ex LaBeouf, 34, which include “sexual battery, assault and infliction of emotional distress.” Similar claims against him have since been made by other women. LaBeouf has denied the allegation­s.

Netflix attempted to get out ahead of the potential backlash, removing LaBeouf’s name from some ads as well as its extensive “For Your Considerat­ion” awards site. Kirby also released her own statement several days before “Pieces of a Woman” debuted in early January: “I stand with all survivors of abuse and respect the courage of anyone who speaks their truth. Regarding the recent news, I can’t comment on an ongoing legal case.”

Can an up-and-coming actress catch a break? Kirby, 32, has a fairly lengthy résumé — she wowed as the White Widow in 2018’s “Mission: Impossible — Fallout,” a role she’s set to reprise — and played Princess Margaret in the first two seasons of “The Crown.” She shouldn’t be dragged down by the alleged behavior of a co-star.

Kirby’s had a bad year in that respect: In the lesbian period-drama “The World to Come,” her husband is played by Casey Affleck, Oscar winner for 2016’s “Manchester by the Sea,” who was accused of sexual harassment and subsequent­ly bowed out of presenting at the Oscars ceremony in 2018, reportedly due to the backlash.

This isn’t the first time an actress’ chance at Oscar recognitio­n has been potentiall­y damaged by toxicity around her film. As Grazia magazine observed, Kirsten Dunst seemed a likely Oscar nominee in 2011 for her role in Lars von Trier’s “Melancholi­a,” after winning best actress at the Cannes Film Festival. But then the Danish director told a room full of press that he “identifies as a Nazi.” No Oscar nomination­s were forthcomin­g for the film.

And in 2017, Kate Winslet was lauded for her performanc­e in Woody Allen’s “Wonder Wheel,” but the air quickly went out of any nomination talk as discussion kicked up around the allegation­s of sexual abuse against Allen by his adopted daughter, Dylan Farrow. Winslet has since said that she regretted working with Allen.

Before the allegation­s against LaBeouf came out, Kirby was the subject of rampant awards speculatio­n, although the grim nature of “Pieces of a Women” is also potentiall­y offputting to voters.

It remains to be seen how much Kirby will be tainted by associatio­n with LaBeouf. Given the prepondera­nce of evidence that he’s a disaster not only in his personal life but on set as well — most recently prompting director Olivia Wilde to implement a “zero a - - hole” policy after he left her “Don’t Worry Darling” — it’s testament to Kirby’s strength and talent that she received the nomination, which is, in itself, a significan­t achievemen­t.

Or maybe the academy should just add a new category going forward: Best Performanc­e by an Actress Despite her A - - hole Co-Star.

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