New York Post

WHO’S THE BOSS?

Van Zandt opens up about Bruce split

- By CHUCK ARNOLD

Bruce Springstee­n and E Street Band guitarist Steven Van Zandt may seem like the ultimate rock BFFs.

But shortly before the Boss’ career was about to be catapulted into the pop stratosphe­re with his “Born in the USA” album in 1984, Van Zandt quit the E Street Band after having a falling-out with Springstee­n.

“I just felt I was not being appreciate­d anymore, ’cause I was always his main adviser in a way just from being his best friend, and then a new manager had come in and become his main adviser,” Van Zandt, 70, told The Post. He recounts the conflict with Springstee­n in his book “Unrequited Infatuatio­ns.”

“I thought he’s not really paying as much attention to my advice as much as he used to. I felt like I should be part of the official management team, and he just disagreed with that ’cause I was his little brother in his eyes. So I thought, to preserve the friendship, I think the best thing to do is to leave, so that’s when I split.”

The repercussi­ons of that life-changing decision were severe for Van Zandt.

“It was career suicide. It was more than just changing jobs — it was the end of my life,” he said. “I mean, my life ended at that moment, and I had to start all over again. So it was heavy, it got very intense. It slowly dawned on me what I had done acting out of passion . . . We just made it, we just had our first success, and I walk away. I really felt like I’d blown my life.”

And it wasn’t the first time that Van Zandt had quit the E Street Band either, previously leaving right as “The River” sessions were beginning in 1979 “because of the torture of the previous two albums,” he said.

“It was no fun, you know, and I was like, ‘Man, I can’t do it again. I can’t do it.’ Bruce was going through a big transforma­tion trying to find his own identity, and so there were endless conversati­ons between him and his manager Jon [Landau] that we didn’t really understand at the time . . . He was going through a huge transforma­tion to the persona and identity that he has been ever since, which was completely different than the persona that existed on ‘Born to Run.’ ”

That shift saw Springstee­n transform from rebel to working-class hero.

But Van Zandt ended up staying after Springstee­n gave him a chance to co-produce “The River.” “So I said then I’ll stick around because I’m gonna make sure that this thing is fun, ’cause I’m a journey not the destinatio­n guy.”

After the 1984 split with the E Street Band, Van Zandt would rebuild his life, furthering his solo career — his “Voice of America” album was released the month before “Born in the USA” — while branching out into politics with his anti-apartheid “Sun City” project and then acting on “The Sopranos.” And he would ultimately rejoin Springstee­n’s troupe in 1999.

And Van Zandt is ready to rock with the E Street Band when duty calls again. “Well, we’ll see. We’ll see what this virus brings ’cause it’s hard to plan with this thing,” he said.

“But I will be doing one of three things next year: I will either be doing a new TV show, or I will be doing [his solo project] Disciples of Soul, or I will be going out with the E Street Band. I give Bruce first priority so if that’s what he wants to do, then that’s what I’m gonna do. We’re all hoping to get back out there.”

 ?? ??
 ?? ?? GLORY DAYS: Old pals Bruce Springstee­n (left) and Steven Van Zandt (pictured in 1977) had a fight right before “Born in the USA,” which set Van Zandt off on a solo career, but they’ve since reunited (below in 2019).
GLORY DAYS: Old pals Bruce Springstee­n (left) and Steven Van Zandt (pictured in 1977) had a fight right before “Born in the USA,” which set Van Zandt off on a solo career, but they’ve since reunited (below in 2019).

Newspapers in English

Newspapers from United States