New York Post

IRE AT NEW MLK STATUE

Coretta kin rips ‘masturbato­ry metal’

- By JESSE O’NEILL

Even some kin of Coretta Scott King hate the new $10 million sculpture just dedicated to her and her iconic civil-rights-leader husband in Boston — with a cousin claiming it “looks like a penis.”

The massive bronze piece, titled “The Embrace,” features two sets of arms holding each other, an artistic interpreta­tion of the classic photo of Coretta and hubby Martin Luther King Jr. hugging after he won the Nobel Peace Price in 1964.

A little too abstract

“The mainstream media . . . was reporting on it like it was all beautiful, ’cause they were told they had to say that,” Seneca Scott, Coretta’s cousin, told The Post by phone Sunday, referring to the new artwork in the Boston Common.

“But then when it came out, a little boy pointed out — ‘That’s a penis!’ and everyone was like, ‘Yo, that’s a big old dong, man,’ ” said the Oakland, Calif., resident. “If you had showed that statue to anyone in the ’hood, they’d have been like, ‘No, absolutely not.’ “

Seneca added scornfully to Compact magazine, “Ten million dollars were wasted to create a masturbato­ry metal homage to my legendary family members — one of the alltime greatest American families.”

Seneca, 43, told The Post that “woke” culture allowed the expensive abstract experiment to come to fruition.

Members of the King family last week unveiled the artwork near where MLK and Coretta first met in college.

Martin Luther King III approved the piece, which was designed by conceptual artist Hank Willis Thomas for the organizati­on Embrace Boston.

The artwork’s funding was the result of a public/private fundraisin­g partnershi­p, the city of Boston said on its online site. It’s unclear how much public money may have gone into the sculpture.

‘Woke algorithm’

“When we recognize that all storytelli­ng is an abstractio­n, all representa­tion is an abstractio­n, hopefully it allows us to be open to more dynamic and complex forms of representa­tion that don’t stick us to narrative that oversimpli­fies a person or their legacy, and I think this work really tries to get to the heart of that,” the artist says on his Web site.

But Seneca told The Post, “The woke algorithm is just broke, I don’t know what else to tell you.

“If you went through all of that and that’s what you came up with, something’s wrong,” he said.

Online critics were harsh, too, including some who agreed that the work was pornograph­ic.

“This is awful,” the British rapper and podcaster Zuby tweeted.

Seneca’s grandfathe­r was one of 25 children of Jeff Scott, the son of a slave who became one of Alabama’s wealthiest black landowners, Seneca said.

His grandfathe­r’s brother, Obadiah, fathered Coretta, whom Seneca said he met once at a family reunion before her 2006 death.

Seneca told The Post that while he couldn’t speak for other members of the family, he felt the 25foot-wide, 65,000-pound sculpture was a “waste of money” that should be “melted down.

“A solid bronze statue? Like, what are we doing here?” he asked. “It’s doubly insulting to the black community, who still on average . . . too many of us are below the poverty line.

“You’re spending $10 million on a bronze statue without heads on it? Man, it’s a joke,” he said.

Seneca said the best way to observe Martin Luther King Jr. Day on Monday was through “action.”

“No performati­ve, no photo ops, put your phone down and go do [an act of service] that no one knows about,” he said.

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