New York Post

WE C-‘ANT’ EVEN

- Johnny Oleksinski

ANT-MAN AND THE WASP: QUANTUMANI­A

You can heap it. Running time: 125 minutes. Rated PG-13 (violence/action and language). In theaters Friday.

SORRY to Raid on your parade, “Ant-Man” fans, but the third chapter is a pile of dirt. Called “Ant-Man and the Wasp: Quantumani­a” — these nonsensica­l titles! — the Marvel movie does boast a terrific new villain in Kang the Conquerer, played by Jonathan Majors. He’s a time-hopping multiverse manipulato­r, and red-hot Majors has gravitas as he snarls about the injustices the world has done to him. Whenever he’s on-screen, we are transfixed.

That Majors is a wow comes as a relief, because Kang’s going to be the baddie in 2025’s “Avengers: The Kang Dynasty.”

Juvenile humor

For now, however, we’re mostly stuck spending time with Scott Lang (Paul Rudd), the cutesy hero whose sole talent is getting very small and then very large. Big whoop. “Quantumani­a” mocks his relative unimportan­ce in the Marvel Cinematic Universe at the start when a San Francisco barista gives him a free coffee and then says, “Thanks, Spider-Man!”

Nonetheles­s, Scott’s reveling in post-“Endgame” glory. He wrote a best-selling memoir called “Look Out for the Little Guy!” and tells anyone who’ll listen that he saved the world. Then a device created by his curious daughter Cassandra (Kathryn Newton, playing a personalit­y rather than a person) accidental­ly whisks her, Scott, Hope (Evangeline Lilly), Janet (Michelle Pfeiffer) and Hank (Michael Douglas) to the teeny-tiny Quantum Realm.

This subatomic world, which Janet had led everybody to believe was merely an empty void, is overstuffe­d with science-fiction and fantasy competitor­s’ ideas. At first, its bulbous forest looks like the candy room in “Willy Wonka & the Chocolate Factory.” We visit the desert and its insurgent fighters are awfully “Dune”-y. Kang’s flanks of helmeted henchmen are straight outta “Star Wars.”

Director Peyton Reed wavers between capturing the heft and epicness of those titles and trying to make another “Spaceballs.”

The humor here is especially lowbrow. To speak the Quantum Realm’s language, Scott and Co. need to glug a character’s “ooze.” That pink, gelatinous, tentacled oozer is obsessed with human anatomy and asks Scott, “How many holes do you have?” Their infantile airships look like something you’d find in a shop on Christophe­r Street. And Corey Stoll as doofy, Humpty Dumpty-esque M.O.D.O.K. is a decent sight-gag laugh at first but goes nowhere. M.O.D.O.K.’s big revelation after 90 minutes is “I don’t want to be a d – – k!”

‘Wasp’ going on?

None of the dumb jokes are as funny as Mel Brooks’ “ludicrous speed” or Dark Helmet from “Spaceballs.” And they’re confusing, because they’re carelessly tossed into an uber-serious plot about revolution­aries overthrowi­ng a violent oppressor.

About the story: Once we arrive in the Quantum Realm, the only agreeable fact is that our heroes’ aim is to get the hell out of there. That’s clear enough. But Kang’s backstory, the people’s war against him, a weird cameo from Bill Murray as Lord Krylar and Hank’s ants suddenly developing their own technologi­cally advanced society are convoluted and make little sense. Midway through, a man sitting behind me loudly exclaimed, “I can’t follow any of this!”

At that moment, he spoke for the silent majority.

Some of the madness would be forgiven if any of the characters other than Kang were layered or had a single reason for us to like them. Rudd behaving like an emotionles­s class clown does not sustain a movie. It never has. Lilly doesn’t do much other than get a haircut, which they make a lame joke about. And with Marvel audiences having recently seen “Black Panther: Wakanda Forever,” in which Angela Bassett gave a performanc­e that will likely win her an Oscar, Pfeiffer and Douglas acting like “The Out-of-Towners” in front of a green screen just doesn’t cut it.

Still, you’ve got to adof mire the size Reed’s ambitions in building his detailed new unitwo verse. After slight “Ant-Man” movies, “Quantumani­a” feels like a differseri­es ent enwith tirely.

But all the sci-fi word salad, it also feels about four hours long.

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 ?? ?? REAL HERO: Paul Rudd (from left) is back alongside Kathryn Newton and Evangeline Lilly, but it’s new villain Jonathan Majors (inset) who ends up saving the day.
REAL HERO: Paul Rudd (from left) is back alongside Kathryn Newton and Evangeline Lilly, but it’s new villain Jonathan Majors (inset) who ends up saving the day.

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