Northwest Arkansas Democrat-Gazette

1984 version of 1984 in theaters for 1 day

- PHILIP MARTIN

George Orwell’s 1984, the 1949 novel about a totalitari­an future society watched over by an authoritar­ian Big Brother, climbed to the top of Amazon’s best-seller list in January after President Donald Trump adviser Kellyanne Conway defended false claims about the inaugurati­on crowd as merely “alternativ­e facts.”

Now the movie version is coming back, for one day.

1984 has actually been made into a film twice, the first time (1956) as a black and white British sci-fi that starred Edmond O’Brien as protagonis­t Winston Smith, with Donald Pleasence, Jan Sterling and Michael Redgrave in supporting roles.

The one that’s heading back to more than 180 theaters in the United States (along with five in Canada, one in England and one in Sweden) on Tuesday is technicall­y known as Nineteen Eighty-Four.

It stars the late John Hurt as Smith, a propagandi­st tasked with rewriting history to align with the dictates of the Party. (It is also the last screen appearance of Richard Burton, who plays party member O’Brien.) The film was was released in, well, 1984. At the time, it was well-received by critics, most of whom preferred it to the earlier version. Chicago Sun-Times critic Roger Ebert wrote that it “penetrates much more deeply into the novel’s heart of darkness” than the previous adaptation, and called Hurt “the perfect Winston Smith.”

Theaters in 165 cities and 43 states will host the screenings as part of a joint effort by the Art House Convergenc­e and United State of Cinema organizati­ons. (As of press time, the only Arkansas theater that has confirmed it will be showing the film is Little Rock’s Riverdale 10. The film will screen at 7 p.m. For more informatio­n go to riverdale1­0.com.)

“A lot of us have felt that [with] the current administra­tion, a lot of our most essential values are sort of under assault,” Dylan Skolnick, co-director of Cinema Arts Centre in Huntington, N.Y., and one of the organizers of the national screening, told the Los Angeles Times. “In particular­ly, things like the existence of actual facts. And 1984 has had this sudden uptick in popularity because it really explores a lot of those issues.”

The timing of the screenings is not random: April 4 is the date of the first entry in Smith’s resistance diary, which opens: “It was a bright cold day in April, and the clocks were striking thirteen.”

“Orwell’s portrait of a government that manufactur­es [its] own facts, demands total obedience and demonizes foreign enemies has never been timelier,” a news release for the event stated, adding that the screenings encourage theaters “to take a stand for our most basic values: freedom of speech, respect for our fellow human beings and the simple truth that there are no such things as ‘alternativ­e facts.’”

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