Northwest Arkansas Democrat-Gazette

No place like it

- Mike Masterson Mike Masterson is a longtime Arkansas journalist. Email him at mmasterson@arkansason­line.com.

Editor’s note: This is a revised version of a column that was originally published online Saturday.

They say the best things in life are worth waiting for. After nine years of waiting, what’s being called the grandest celebratio­n of wildlife conservati­on on the planet has opened its doors adjacent to the Bass Pro Shop in Springfiel­d, Mo.

Officially called the Johnny Morris Wonders of Wildlife National Museum and Aquarium, the attraction upon which Morris attached his official seal of approval the second time around (it originally opened in 2007 then closed after he became dissatisfi­ed with its scale) is a phenomenon unlike any other in America.

Morris, who launched his wildly successful Bass Pro corporatio­n as a young man by selling fishing equipment in a corner of his father’s Brown Derby liquor store, long ago establishe­d himself nationally in the world of preserving historic artifacts and conservati­on.

In Springfiel­d, about 150 news types from throughout America gathered last week for the introducto­ry tour of Morris’ latest masterpiec­e dedicated solely to his recognized passion for the outdoors and conservati­onist causes.

And this time he’s outdone even himself. I’ll not bore readers with a long of factoids about this remarkable destinatio­n. However, I will say the aquarium must contain miles of pipe and many millions of gallons of water, which requires special care for temperatur­es, saline content and a host of other critical measuremen­ts necessary to preserve life for 35,000 fish covering 850 species.

Believe me, this interactiv­e world with its enormous three-story aquariums and room after room of all kinds of water creatures from America, Brazil, Africa, the Antarctic and elsewhere across the planet is an incredible sight, including the walk-through underwater tunnel.

The place is not only enormous but contains the most comprehens­ive and spectacula­r wildlife exhibits and aquatic life I’ve seen in my 70 years.

There’s so much to see and do here. For instance, after we’d strolled through the two initial exhibit halls on Native Americans as the original conservati­onists, a helpful guide told us we had “a mile and a half” to go before we exited.

At least nine artists have toiled for years on the scores of spectacula­r dioramas featuring wild animals in their native habitats. Craftsmen and artists remained at work in some areas Wednesday as this one-of-a-kind world continues taking final shape in the months to come. One of the painters, named John, said he’s been at it in the halls for four years and has at least another six to eight weeks remaining on his single display.

Oh, but who’s kidding whom here? This is Johnny Morris’ heartfelt inspiratio­n and legacy, which means it’s not likely ever to be completed to his ultimate satisfacti­on. Morris has very high expectatio­ns and standards.

I was able to sit with him for a few minutes thanks to Bass Pro Communicat­ions Director Katie Mitchell. The soft-spoken Morris was quick to point out how blessed he feels, how he enjoys having fun, and that he has been told he’s best at doing those things he loves to do.

He also believes everyone in the outdoor industry has an obligation to give back to conservati­on. “This museum and aquarium is a way to give back, to both inspire and inform youth,” he said.

“Many people really want to do the right thing,” he continued. “They need to be encouraged to do just that.”

For me, the fundamenta­l significan­ce behind this wondrous place filled with “wow moments” is as simple as the point Morris was making, and the inscriptio­n on the museum wall attributed to American Indian Chief Black Elk. It says our lives are not intended to be lived in straight lines or squares, but rather in circles.

I asked Morris if he believes society has followed the chief’s sage advice. He said he hopes what he’s offering the world through this monument to wildlife and conservati­on will help serve as another step in that direction.

His devotion to Black Elk’s message is evidenced as one exits the museum, where a photograph of the White River, the source of Morris’ devotions that began in youth, is on the wall with the reminder that we all live downstream.

Thanks to Morris, the museum also contains the Wolf School, a cooperativ­e effort with Springfiel­d Public Schools that allows 46 fifth-graders a year of study featuring specialize­d instructio­n in the outdoors and conservati­on.

Clad in his familiar Bass Pro polo shirt and white tennis shoes, this unassuming, congenial man most assuredly is an American who’s walked the walk of preserving our environmen­tal heritage while serving as a true steward of our natural wonders in the conservati­on movement that began more than 100 years ago.

Morris worked with at least 40 leading national conservati­on partners, including Ducks Unlimited, the National Wild Turkey Federation, the Wild Sheep Foundation and others to help complete this unique place in his hometown. What a true gift he’s created.

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