Northwest Arkansas Democrat-Gazette

Take it slow, steady when settling into new home

- MARNI JAMESON Syndicated columnist Marni Jameson is the author of two home and lifestyle books, including Downsizing the Family Home — What to Save, What to Let Go (Sterling Publishing 2016).

“You look like you’re pondering,” DC says to me the other night. I am staring into space wearing an expression so serious he must think I’m single-handedly solving the health-care crisis.

“I’m thinking about how to treat the handrails on the staircase,” I wonder aloud. “Should we paint or replace them?”

He shakes his head. He knows I am a woman possessed.

Ever since we closed on our new house last week, my mind has been awhirl with design possibilit­ies. What color paint here? What furniture there? What rug here? What artwork there?

Just when I wrangle one decision to the ground, five more sprout like gray hairs. There’s no end to them.

I go to sleep arranging and rearrangin­g furniture in my head. I awake startled by a dream that involves flying carpets landing in various rooms. I compulsive­ly sketch floor plans on any available surface, the backs of gum wrappers, the palm of my hand, the sidewalk. Paint swatches flutter out of my purse like pinata prizes. I have enough flooring samples in my car to cover a basketball court. And I am actively involved in text threads at all hours of the day and night with a variety of men I’ve just met: the woodfloor installer, the plumber, the painter, the mover.

“You’ve done this a dozen times,” DC says, wondering why the act of designing and decorating this house has commandeer­ed every ounce of my energy, attention, creativity and good nature.

“This time is different,” I say.

I know he’s thinking what you’re thinking: Good grief, woman, if anyone was ready for this moment, it’s you.

After all, I’ve been writing about home design for almost 15 years, have three books out on the subject, have built and designed three houses, and have lived in and staged many more. I’ve upsized, outsized, downsized, and right-sized. I’ve divided, blended, shaken and shuffled more houses and home furnishing­s than anyone who is still alive to tell about it.

“I feel wholly unprepared,” I say.

“Why?” he asks.

I look deep into my terrified core: “It’s because this is The House. Our Happily Ever After House,” I say. “This is my finale, the culminatio­n of years of learning everything I possibly could about design, of thinking about what home means, and of reinventin­g and remarrying and rebuilding a life.”

“Do you think you might be overthinki­ng this?” DC gently asks.

“This is my final exam. If I don’t ace it, I’m a failure. If I don’t get it right, I will feel like an imposter.”

“That’s a lot of pressure to put on yourself.”

To calm my buzzing brain, and to fortify myself for the job ahead, I chant the home decorator’s version of the serenity prayer: Grant me the ability to know where to use the things I have, the courage to change and purge that which doesn’t work, the serenity to acquire only those new furnishing­s that are absolutely necessary, and the wisdom to know the difference.

So I steel myself for the final. It is one big essay question: Find your creative eye, and make a new house look great using what you have — or most of it. I dig deep and rely on what I’ve learned.

This much I know for sure. (The rest I’m still figuring out):

Prioritize. The best way to approach any interior design is sequential­ly. Start with the shell — the floors, walls and window coverings. Next come large furnishing­s to fit a floor plan designed with function and flow in mind. Last, layer in art, rugs and accessorie­s. Though jumping ahead is tempting, stick with the method. DC, for instance, often wants to know where a favorite piece of art will go. “I don’t know yet” is a fine answer.

Stay fluid. Decorating a house is like working with a mound of wet clay. You mold it, move it, and shape it, and keep doing that until the whole clicks. This is how the chest I think will go in the living room winds up in the office. It drives DC nuts. “I thought that was going in the … (name a room).” You have complete artistic license to change your mind, and you should.

Find inspiratio­n right in front of you. Look at your furnishing­s out of context and see what speaks to you, a piece of art, an area rug, a pillow fabric, and let that lead you. Find the common colors and threads in what you own. Build on that color and design palette, while staying open to updating it with a fresher interpreta­tion.

Trust your instincts. Even though you pictured a certain piece in a certain place, if you find when it lands there it doesn’t look right, trust your gut. Keep playing with placement until it feels right. You will know it when you see it.

Create a home store. When I move into a new house, I corral all accessorie­s in one spot, a large table or corner of a room. Once the walls and floors are finished and large furniture is in place, I shop my stuff. I work a room at a time, and take accessorie­s from my makeshift store and test drive them around the house. Break out of your rut and feature old items in new ways. Don’t feel compelled to use them all. Let go of what’s passe, and leave a few places empty for what’s to come.

 ?? Dreamstime ?? Creative eye required. When moving to a new house, you’ll need to summon your creativity and work toward the goals of making what you have work, letting go of what doesn’t, and knowing where to fill in with new items only where needed.
Dreamstime Creative eye required. When moving to a new house, you’ll need to summon your creativity and work toward the goals of making what you have work, letting go of what doesn’t, and knowing where to fill in with new items only where needed.

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