Northwest Arkansas Democrat-Gazette

Fiddle While You Work

Music a way of life for FHS alum Betse Ellis

- BECCA MARTIN-BROWN

Betse Ellis might not be unfailingl­y ebullient — but she certainly comes across that way.

“I love making music in libraries,” enthuses the Kansas City musician, who hosts a monthly jam at the Olathe (Kan.) Public Library. “We have a dedicated group of regulars, and every month, some new folks show up and often, they keep coming, too. In fact, this program has been so successful that the library now hosts a monthly concert session in addition to the jam.

“Libraries are the new community center, perhaps? Live music, reading clubs, computer access and classes, maker spaces… It makes sense, and it’s something I’m happy to be involved with.”

Ellis and her partner in life and music, Clarke Wyatt, will play the FPL Mountain Street Stage series on Sunday, and she’s excited to be back — for a couple of reasons.

“We played the Fayettevil­le Public Library last year with our great friends and collaborat­ors The Creek Rocks (from Springfiel­d, Mo.), and I was so impressed with the ‘new’ — to me — library,” she says. “Having grown up in Fayettevil­le, the library was a huge staple of my childhood.”

Ellis played violin back in those days at Fayettevil­le High School.

“The word ‘fiddle’ brought up a horrible connotatio­n,” she says, laughing, as she does often and easily. “Country music wasn’t cool.”

When she moved to Kansas City to study at the University of Missouri there, she began to play jazz, listen to eclectic Eastern music and finally got to join a rock ‘n’ roll band — but she still played “rock violin,” not fiddle. She calls singer-songwriter Alison Krauss her “gateway drug,” her introducti­on to bluegrass and fiddle, but then her boss at the Nelson-Atkins Museum of Art introduced her to “old-time music” — traditiona­l Southern mountain music that she had never heard in her native Ozarks.

“Why’d I keep coming back to it? It’s the difference between being bowled over by someone’s virtuosity and hearing somebody play with soul,” Ellis says. “Old-time fiddle became my biggest focus. I never could have predicted that — and yet nothing makes more sense to me.”

The life of a self-employed musician isn’t an easy one. Ellis will admit to that.

“Clarke and I have been spending a lot of time with instructio­n,” she explains. “We both teach private students and really enjoy teaching at camps. We recently taught at a camp in Michigan (Earful of Fiddle), and later this summer, we’ll be instructin­g at a new camp for kids in Montana (Cascade Kids Camp).

“The Montana camp is one we’re very excited about, because it’s all about fostering excitement for music, about encouragin­g kids to express themselves on their instrument­s, igniting and building a creative and deep relationsh­ip with music,” she says happily. “Well, that’s what we live for, this ongoing journey of discovery through music.

“It’s a challengin­g life path,” she adds. “It’s a heck of a lot of work, multi-tasking, various ‘job positions,’ never-ending new tasks — and then don’t forget to practice, to learn new music, to grow creatively. And yet it’s what I must do. It is the only life for me.”

 ?? Photo courtesy Emily Evans Sloan ?? “We cater our performanc­es to our audiences,” says musician Betse Ellis, who plays with her partner, Clarke Wyatt, “and if we have a large turnout of young folks [at Sunday’s Mountain Street Stage show], we’ll play a bunch of songs and tunes that we’ve...
Photo courtesy Emily Evans Sloan “We cater our performanc­es to our audiences,” says musician Betse Ellis, who plays with her partner, Clarke Wyatt, “and if we have a large turnout of young folks [at Sunday’s Mountain Street Stage show], we’ll play a bunch of songs and tunes that we’ve...

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