Northwest Arkansas Democrat-Gazette

The Meg devours competitio­n

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LOS ANGELES — Warner Bros.’ over-the-top sci-fi thriller The Meg took an unexpected­ly massive chomp out of the North American box office last weekend with $45.4 million in ticket sales, according to figures from measuremen­t firm ComScore.

The PG-13 film — about a giant prehistori­c shark that terrorizes beachgoers — was released simultaneo­usly in the United States and China, earning $96.8 million internatio­nally (including $50.3 million in China) for a global cumulative of $141.3 million.

“It just really speaks to the fun-ness of the movie,” said Jeff Goldstein, the studio’s distributi­on chief, who added that the marketing campaign “didn’t take itself seriously and really played into the popcorn nature of the film.”

“It’s a little bit on the campy side, a little bit cheesy, but in a fun way,” Goldstein added.

He noted the timing for the picture was also right. “I think the date really stands out. A shark movie, you want to see it at the end of the summer.”

Starring action vet Jason Statham as a deep-sea rescue driver who is the only man capable

Jason Statham stars as Jonas Taylor in the science fiction action thriller The Meg. It was a surprise hit, coming in first at last weekend’s box office where it made about $45.4 million. of defeating the 70-foot carnivore, The Meg cost at least $130 million to produce, according to estimates, and is based on an obscure 1997 pulp novel. It earned a B-plus rating on CinemaScor­e but a 49 percent rotten rating on review aggregatio­n site Rotten Tomatoes.

In second place, Paramount’s Mission: Impossible — Fallout, now in its third weekend, added $19.3 million for a cumulative $161.3 million.

Disney’s Christoper Robin came in third, adding about $13 million in its second weekend for a cumulative $50.5 million.

Sony Screen Gems’ horror movie Slender Man debuted at No. 4 with about $11.4 million. The film earned a rare Dminus score on CinemaScor­e and a 15 percent rotten rating on Rotten Tomatoes.

Rounding out the top five, Focus Features’ drama BlacKkKlan­sman opened with $10.8 million, director Spike Lee’s third best debut.

Based on true events, BlacKkKlan­sman tells the story of an undercover black detective who manages to infiltrate the Ku Klux Klan. It earned positive reviews from audiences and critics with an A-minus rating on CinemaScor­e and a 97 percent fresh rating on Rotten Tomatoes.

The film, which took the Grand Prix at the Cannes Film Festival in May, was timed to the anniversar­y of the violent clashes between white nationalis­ts and anti-racism counter protesters in Charlottes­ville, Va. Lee’s film, produced by Jordan Peele (Get Out), is a true-life tale of black police detective Ron Stallworth (played by John David Washington, son of Denzel), who in 1979 infiltrate­d a Colorado Springs, Colo., cell of the Ku Klux Klan.

LD Entertainm­ent’s comedy Dog Days opened outside the top 10 with about $2.5 million. It earned mixed reviews among audiences and critics, with an A-minus rating on CinemaScor­e and a 60 percent fresh rating on Rotten Tomatoes.

In other notable box office action, Universal’s Mamma Mia! Here We Go Again crossed the $100 million mark over the weekend with $103.8 million in four weeks and Disney’s Ant-Man and the Wasp crossed the $200 million mark in its sixth week with $203.5 million, becoming the 16th movie in the Marvel Cinematic Universe to do so.

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