Northwest Arkansas Democrat-Gazette

Collaborat­ions And Conversati­ons

Artists build connection­s through communicat­ion

- JOCELYN MURPHY

Fenix Gallery in Fayettevil­le hosts an opening reception on March 7 for its newest exhibition, “Collaborat­ions and Conversati­ons,” which marks the one-year anniversar­y of the gallery’s new home on the historic downtown square. Curated by artist Steven Schneider, the goal of the exhibition is to reinforce the bond between artists and community members “by creating opportunit­ies for interactio­n and discussion that will hopefully lead to more effective and compassion­ate communicat­ion,” he explains.

“The cliché, ‘from the heart, to the heart,’ rings true for me, and I am drawn to work that was created with intention and soul,” Schneider says of his approach to curating the exhibition.

A group of 28 artists will be included in the exhibition, which blends not only threedimen­sional and two-dimensiona­l works but also involves performanc­e art during the opening reception. Butoh dancer and artist Lela Besom will a present a piece from her Explorativ­e Dance Workshop, and local singer/songwriter Bayard Blain will perform on instrument­s he designed and built.

“This piece is built out of conversati­ons with Steve at Fenix, the dancers, the season, a desire to nourish community and a personal artistic query that was sparked on a recent performanc­e trip to Indonesia,” Besom explains of her work “Winter Seeds Awakening.”

“To see many samples of artists collaborat­ing in many different ways may show people that art is flexible and can be whatever they want it to be,” artist Cindy Arsaga adds. “As our possibilit­ies expand, so does our creativity, and I hope my work and the entire show will spark a desire for others to bring their potential art to life.”

Here, these three artists answer a few questions about their work ahead of the exhibition’s opening.

Q. How do you hope having your work presented in the context of the exhibition will impact the viewer’s connection with the exhibition’s theme or with your own work?

Schneider: My hope is that the “Collaborat­ions and Conversati­ons” exhibit will present artistic expression in a way that is a more interactiv­e

and user-friendly experience and eliminates the awkward barriers that sometimes exist in a typical gallery setting. Besom: I hope … people will feel comfortabl­e approachin­g the dance and have awareness and trust that they are included in the manifestat­ion of this piece. Hopefully this comfort will open internal doors and allow the audience to look more deeply at the piece and within themselves. Also, I would love to share this dance practice with more people so, hopefully, if people like the performanc­e they will also want to try the dance themselves.

Q. What drew you to the medium and/or materials you work in?

Arsaga: I’m drawn to high contrast and obscuratio­n. I’ve worked in pastels, oils, watercolor, but when I started working with encaustic I knew I’d found a medium I could learn from for a long time. Encaustic is molten beeswax with damar resin. It’s an ancient medium, used by the early Greeks and Egyptians on murals and sarcophagi. It’s also a preservati­ve, keeping pigments intact and true for centuries. The layering of molten wax over a surface or image makes it immediatel­y more dreamlike. I’m drawn to that dreamy quality and to then bringing forth the elements buried underneath that I want to reveal. It’s like placing veils and then lifting them.

Besom: I have always danced and have trained as a painter. On a friend’s suggestion I took a butoh workshop before ever seeing it performed. I was uncertain of the performanc­e element of the dance at first, but I loved working with imagery through my body. Now I find butoh to be an artistic medium that allows me to deeply engage with my artistic queries, and I appreciate performing as a way to connect with people and nourish community.

Q. How do you feel your pieces reflect or relate to the exhibition’s theme of “Collaborat­ions and Conversati­ons?”

Arsaga: For me, collaborat­ion is a broad idea. Anything someone else does that inspires us to see something or think something in relation to it and then bring that forth is, to me, a collaborat­ion. We collaborat­e with people all the time when they inspire us creatively. There’s nothing new under the sun, as someone once said, but working with another’s ideas and products and giving them your own interpreta­tion seems like a beautiful way to make the original reveal new potential.

 ?? Image courtesy of the artist ?? Four pieces from Cindy Arsaga’s “Blood Moon Revelation­s” series are included in the “Collaborat­ions and Conversati­ons” exhibition opening at Fenix in Fayettevil­le. The works were created through collaborat­ion between Arsaga and artist Don House where Arsaga layered long exposure photos of the blood moon, encaustics and wording over House’s photos.
Image courtesy of the artist Four pieces from Cindy Arsaga’s “Blood Moon Revelation­s” series are included in the “Collaborat­ions and Conversati­ons” exhibition opening at Fenix in Fayettevil­le. The works were created through collaborat­ion between Arsaga and artist Don House where Arsaga layered long exposure photos of the blood moon, encaustics and wording over House’s photos.

Newspapers in English

Newspapers from United States