Northwest Arkansas Democrat-Gazette

The Flavors Of Jazz

Artists keep music entertainm­ent, not education

- JOCELYN MURPHY

Peter Martin says it was the “improvisat­ion, freedom, communicat­ion, groove and joy” he first heard in jazz that drew him to the genre. And those elements are what still speak to him when the acclaimed pianist listens to or plays jazz today. He brings that uninhibite­d spirit to his performanc­es with Brazilian guitarist Romero Lubambo Sept. 7 at the Guisinger Music House (Roots Festival HQ) in Fayettevil­le.

“We strive to always have a performanc­e that includes as much spontaneou­s creativity and interactio­n as possible,” Martin says of the duo.

“This means that we rehearse and plan what we’re going to do only up to a point. That way, we can be open to the elements of the performanc­e that present themselves — the audience, physical space, each other’s ideas — in the moment. That means higher risk that some things go wrong, but the reward (if done well) is something exciting and unexpected to both the performers, and the audience, together, and live in the moment.”

The two musicians’ background­s vary in origin but not in soul as they merge two flavors of jazz together. The main foundation Martin and Lubambo share, Martin reveals, is jazz and blues. They blend the musical heritages of Brazil, New Orleans, classical music — and plenty of influences in between — through that filter of jazz and blues. But, Martin asserts, that doesn’t mean a listener must be steeped in the traditions or infrastruc­ture of these genres to enjoy his performanc­es.

“The music needs to (and easily can be) inviting to the audience, not something they should be scared of or bored by,” he says. “But artists must tailor the music in that way, and that’s what I try and do. It’s not about watering down the music, or pandering to the audience, but rather organizing and presenting it in a way that the wonderful elements of jazz that make it special are highlighte­d and more easily accessible to the audience. I don’t believe audiences should have to do homework to enjoy one of my shows; I see it more as entertainm­ent than a lesson.”

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