Northwest Arkansas Democrat-Gazette

Digging Up The Facts

Study supports value of arts integratio­n in learning

- JOCELYN MURPHY

The arts make us more human, make us more compassion­ate, make us more thoughtful and make us more reflective. And those are the things I want in my community,” asserts Laura Goodwin, vice president of learning and engagement at the Walton Arts Center in Fayettevil­le.

So what about the arts’ effects on education? Can the arts also make us smarter, strengthen our memory skills and establish a foundation for lifelong learning?

As arts enthusiast­s and supporters, the staff at the Walton Arts Center certainly have always believed so. But a scarcity of quantitati­ve evidence can make these theories difficult to back up.

“Increasing­ly, we’re in a data-driven, empirical landscape when it comes to education,” offers Brian Kisida, who conducts education policy research. “One of the things I’ve noticed in terms of arts education research is

that there’s really not enough of it out there. So a lot of times when advocates are trying to make the case for something and argue why it’s essential for a well-rounded education, it’s helpful to have some quality evidence.”

That quality evidence has arrived with the results of a yearlong study conducted among the Walton Arts Center, Kisida and Texas A&M

University professor Daniel H. Bowen that were published Feb. 1. Between 2013 and 2014, the researcher­s conducted an experiment­al evaluation of the WAC’s educationa­l program “Digging Up Arkansas” to assess how experienci­ng live performanc­e impacts learning.

“I was pleasantly surprised that we found positive impacts on really the full range of things that we were looking at,” shares Kisida, who was with the University of Arkansas at the time. “I mean, you don’t go into a study hoping to find nothing, but we want to contribute to the body of knowledge that informs these things.”

“Digging Up Arkansas” is an original play written by Fayettevil­le playwright Mike Thomas that integrates Arkansas history with on-stage storytelli­ng. The goal was to bring Arkansas history to life in the educationa­l program in a fun and relatable way for elementary school children.

Thomas and director Kassie Misiewicz — artistic director at Trike Theatre — looked to the state curriculum standards in Arkansas history for third through fifth grades for the source material and integrated content students were expected to know into the play. The result is an interactiv­e theater experience where children are invited into the tent of three Works Progress Administra­tion writers in the 1930s. The WPA workers are trying to organize artifacts and stories ahead of President Roosevelt’s visit to the state in celebratio­n of Arkansas’ 100th anniversar­y.

In evaluating the efficacy of the program, the researcher­s determined that students who saw the play demonstrat­ed increased historical content knowledge, greater enthusiasm for learning about history, more historical empathy and more interest in the performing arts compared to the control group.

“There is other research going on around the country in interestin­g settings integratin­g theater instructio­n, and what people seem to be finding is that it’s really the interactiv­e components of these programs that seems to be making the content stick better,” Kisida reveals. “It’s that the students are moving around and they’re engaged, and they’re not just receiving informatio­n through their eyes and through their ears — they’re receiving it through their peers and with engaging with each other, engaging with their bodies and movement.”

In his developmen­t of the study, Kisida felt it was important he never read the script or saw the play. This enabled him to devise unbiased questions to gauge students’ learning after seeing the performanc­e because the analysis questions were based only on the state standards and not the content presented in the show.

The attitudina­l questions posed to the students after participat­ing in “Digging Up Arkansas” further revealed informatio­n that is important to educationa­l policy makers, Kisida shares. In cultivatin­g a measurable enthusiasm for learning history, students are able to remember and recite more sophistica­ted details of the content, rather than only being able to “roboticall­y recite back informatio­n,” Kisida says.

“Arts education has struggled a little bit over the last decade or two in terms of having a sure footing in the educationa­l landscape,” he discloses. “And this speaks to this idea of how the arts — while we think they have fundamenta­l and essential value in themselves — can also be great vehicles for delivering instructio­n in creative and innovative ways that can reach more students, and engage students, in ways that might not happen with traditiona­l classroom settings.”

“One of my favorite student quotes from the whole history of ‘Digging Up Arkansas,’” Goodwin shares, “was, ‘Arkansas history is more interestin­g than you think it is.’ I just think that speaks to the power of theater to make those stories interestin­g, engaging and relevant. [For a] kid, learning through theater does give you a certain insight into what this informatio­n means to you.”

The WAC does not host “Digging Up Arkansas” as part of its programmin­g every year, but since the play’s inception in 2010, nearly 70,000 students, representi­ng every county in Arkansas, have experience­d the show.

“Digging Up Arkansas” is part of the WAC’s arts and education outreach programmin­g, which serves some 28,000 students and teachers every year through the Colgate Classroom Series. This type of outreach is made possible through the venue’s nonprofit status, and by funds raised throughout the year to support one of the WAC’s primary goals of community and youth engagement. More than $330,000 was raised in 2019 alone.

“To have a study like this that lets Walton Arts Center advocate in a way that’s supportive, not just anecdotal or just ‘This is what I feel in my gut’ is important,” Goodwin enthuses. “So, as I’m advocating with lawmakers, with superinten­dents, with policymake­rs, it’s a really good support for that kind of work.” “In the academic literature, it’s an important piece of a growing body of evidence that’s discoverin­g the important benefits of arts education,” says Brian Kisida, one of the researcher­s on a recently released study on the effects of arts integratio­n on learning. “We’re finding that [arts education is] increasing student engagement, it’s increasing students’ tolerance levels, it’s increasing their compassion, it’s reducing disciplina­ry infraction­s. And those are all findings that are coming from well executed, rigorous research. Together, these make for important currency in education policy debates when decision makers are determinin­g where to allocate resources and where to focus their efforts.”

 ?? (Courtesy Photo/Stephen Ironside & Ironside Photograph­y) ?? Children participat­e during an interactiv­e performanc­e of “Digging Up Arkansas,” a stage show integratin­g real Arkansas history.
(Courtesy Photo/Stephen Ironside & Ironside Photograph­y) Children participat­e during an interactiv­e performanc­e of “Digging Up Arkansas,” a stage show integratin­g real Arkansas history.
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