Northwest Arkansas Democrat-Gazette

David Lee Roth turns to art during his isolation

- RICHARD BIENSTOCK

Typically, David Lee Roth spends his days, or at least his nights, “in tactical spandex, moving at 134 beats per minute,” he said. But now Roth, the 65-year-old ex-Van Halen singer, is just like the rest of us: stuck at home and obsessing about pandemics.

However, the past few months in quarantine have led Roth to an old pursuit, with new focus. Since April, he has filled his days creating covid-theme drawings — he calls them comics — and then sharing the finished works, one each week, on his social media channels. The art, like Roth’s music and dispositio­n, is vibrant, whimsical and somewhat unconventi­onal. In moments, it is confrontat­ional. Several drawings feature his own face. Many are filled with images of frogs.

What sparked this surge of artistic expression?

“Well, I lost my job!” Roth cracked over the phone from his home in Los Angeles. As recently as March, Roth was on tour as a solo act, supporting KISS in arenas across the United States. Earlier in that run, Roth, who has also worked as an EMT in New York, had battled an unspecifie­d illness. “I’m not so unconvince­d I didn’t have the corona,” he said.

Even by rock frontman standards, Roth’s ability to command full attention from his audience is renowned, whether he’s launching himself off drum risers for midair splits or schooling fans on how Van Halen is “the rock ’n’ roll band who sold Ricky Ricardo rumba to the heavy metal nation.” But now his art is doing the talking. “Social commentary is what I do,” he said. “It’s what I’ve always done.”

Art, he continued, “has been a constant in my life. My hand has always been in wardrobe, background sets, stage sets, album covers, video direction. This is part of it. And there’s craft involved, so there’s a little bit more heft to some of the statements.”

These are edited excerpts from the conversati­on. Q: Why frogs?

A: I saw a story about Mark Twain — it was not his biography, it was a fictional piece with actors. And at the end of it ol’ Sam passes on, but he doesn’t go to heaven. He’s in the backyard where he grew up in Hannibal, Mo. And a little girl walks up and he goes, “Who are you?” She says, “I’m Becky Thatcher, and I’ve got some friends who are waiting to meet you.” And all the characters that he created come on up to greet him. So, I started my guest list. And probably the only one of that retinue that I could even spell, much less draw, was the frog from Calaveras County [from the short story “The Celebrated Jumping Frog of Calaveras County”].

Q: Many of your drawings include a reference to the “Soggy Bottom.” I took this to be a play on the phrase “draining the swamp.”

A: If I explain it, it’s a bumper sticker. If I let you explain it, it’s art. But you’re very close to exactly accurate.

Q: Can you describe your artistic process?

A: My approach is the best of both worlds: vintage and hyperatomi­c digital. Sort of like watching “Dragnet” on your iPad. You know, I moved to Japan for two-plus years to study Sumi-e and calligraph­y, and four nights a week I trained and then I did homework. I’ve spent thousands of hours learning to operate a horsehair brush with a block of ink that I grind myself. Hasn’t changed its recipe in 700 years.

Q: You were on tour when the lockdown began. As a lifelong performer, was it difficult being forced to leave the road so hastily?

A: Every jiujitsu magazine has a 28-year-old who’s going to tell you about the two years that got taken away by his elbow. Every kickboxing magazine has a 32-year-old instructor who goes, “Well, I lost those three years to my left knee.” So I’ve just been isolating away. Because I myself am high risk.

Q: You last toured with Van Halen in 2015. Do you think it’ll ever happen again?

A: I don’t know that Eddie [Van Halen] is ever really going to rally for the rigors of the road again. [The guitarist first announced he had cancer in 2001, and it has recurred since.] I don’t even want to say I’ve waited — I’ve supported for five years. Because what I do is physical as well as musical and spiritual — you can’t take five years off from the ring. But I did. And I do not regret a second of it. He’s a bandmate. We had a colleague down. And he’s down now for enough time that I don’t know that he’s going to be coming back out on the road. You want to hear the classics? You’re talking to him.

Q: Will these drawings eventually be offered for sale?

A: In terms of what I really do for a living, as soon as the B-list — that’s Beyonce, Bono and Bruce [Springstee­n] — say it’s OK, I’ll be back singing and dancing and selling you T-shirts. But in the interim, I am drawing and painting every night. And the fact that there’s an audience for it is quite a tickle. So, of course, I’ll make it available. You bet. I just didn’t see it coming. [Laughs.] But like my sister says, I seem to miss the big stuff.

 ?? (The New York Times/Jessica Lehrman) ?? David Lee Roth shows some of his paintings at his home in Pasadena, Calif.
(The New York Times/Jessica Lehrman) David Lee Roth shows some of his paintings at his home in Pasadena, Calif.

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