Northwest Arkansas Democrat-Gazette
NYC’s Broadway to stay closed at least through May
NEW YORK — Broadway is going to remain closed at least through May 30, which is 444 days after all 41 theaters went dark as part of New York’s effort to slow the spread of the coronavirus.
On Friday, the Broadway League, a trade organization representing producers and theater owners, announced that it was suspending all ticket sales through that date.
But when will Broadway actually reopen?
“That’s the question of the hour and the day and the month and the year, because we truly don’t know,” Charlotte St. Martin, the League’s president, said in an interview Friday. “Certainly a lot of shows are making their plans, and some think we will open in the summer, and I hope they are right. But I think people’s bets are the fall of next year.”
A league statement suggested that producers imagine a staggered reopening, rather than all theaters opening at once.
“Dates for each returning and new Broadway show will be announced as individual productions determine the performance schedules for their respective shows,” the statement explained.
St. Martin said the reopening dates will be determined by producers working with theater owners.
Soon after the statement was released, “MJ,” a Michael Jackson biomusical that was planned to open this summer and then bumped to next spring, announced that performances would now begin in September. And the revival of “The Music Man,” starring Hugh Jackman and Sutton Foster, which was initially scheduled to open next week, then on May 20, will now open on Feb. 10, 2022.
Several other shows that had rescheduled opening
nights for next spring will now need to go back to the drawing board, including the new play “The Minutes” and revivals of “American Buffalo” and “Take Me Out.”
With no clear path to reopening, the shutdown is costing huge amounts of money, not only to producers and performers but also to backstage workers, Times Square restaurants and the city itself in the form of lost tax revenue. The shutdown is also endangering the careers of artists and the prospects of artistic works as the nation’s premiere stages are stilled indefinitely.
All Broadway theaters closed March 12 as part of an effort to slow the spread of the coronavirus by limiting large gatherings; at the time there were 31 shows running, including eight still in previews, and another eight were in rehearsals getting ready to start performances. The Broadway League at first closed theaters through April 12; it has repeatedly extended the cancellations, most recently through Jan. 3.
“There would be nothing better for everyone than if we had a date certain, but there isn’t one — this is a global pandemic,” St. Martin said. “Do you think I like putting out these statements four times? No! And God, I hope we only have to do it one more time. But we don’t know.”
Broadway is not only the pinnacle — and best-paying workplace — of the American theatrical landscape, but it is also big business, or at least it was. In 2019, the industry drew 14.6 million theatergoers and sold $1.8 billion worth of tickets. This year, the grosses are likely to be a tiny fraction of that amount, since theaters were open for only 10 weeks at a time of year when attendance is usually soft.
Although television and film production are resuming, the performing arts remain almost completely shut down, at least at the professional level, in New York and throughout much of the nation.
The Metropolitan Opera announced last month that it would remain dark until next September. And even before that announcement, some theaters had already made the same decision: a few days before the Met announcement, Trinity Rep in Providence, R.I., said it would delay in-person productions until next fall, while Hartford Stage, in Connecticut, had taken the same step in July.
The forecast for other venues — off-Broadway, touring productions, regional theaters — remains cloudy, too. Some nonprofit theater companies are announcing tentative plans for live, in-person productions next spring.
Theaters have been reopening more rapidly in Europe, although with social distancing, which Broadway producers say is not economically feasible in New York.