Northwest Arkansas Democrat-Gazette

Shows to stream include ‘Crime Scene’

- NOEL MURRAY

The following shows are available for streaming from Netflix:

‘Crime Scene: The Vanishing at the Cecil Hotel’

Documentar­ian Joe Berlinger has been telling truecrime stories in film and on TV since the 1990s with projects like “Brother’s Keeper,” the “Paradise Lost” trilogy and “Conversati­ons With a Killer: The Ted Bundy Tapes.” His new anthology series, “Crime Scene,” is an ambitious one, examining mysteries and murder in the context of where they occurred. The four-episode first season is ostensibly about a tourist who disappeare­d from a seedy Los Angeles hotel in 2013. But it is also about the building itself, which has been a locus of desperatio­n and depravity for decades.

‘Kid Cosmic’

Craig McCracken, creator of “The Powerpuff Girls,” indulges in his passion for superheroe­s, science fiction and Saturday-morning cartoon mayhem with this new animated series. The show tells the story of a cocky preteen misfit who discovers powerful alien gemstones and distribute­s them among his friends in a remote New Mexico town, forming a makeshift superteam to save the Earth. Typical of McCracken’s shows, “Kid Cosmic” is franticall­y paced and filled with wacky humor. But it also has poignant undertones of childhood loneliness and melancholy, along with an eye-catching sense of design that draws on pulp magazines and newspaper comics.

Today

‘City of Ghosts’

An inspired mix of documentar­y, kiddie cartoon and avant-garde cinema, this charmingly offbeat animation is about an intrepid band of young paranormal investigat­ors who venture into different Los Angeles neighborho­ods interviewi­ng the proprietor­s of local businesses and the spirits who haunt their establishm­ents. Created by Elizabeth Ito (who has worked on “Phineas and Ferb” and “Adventure Time”), the series features simplified animated characters in front of photograph­ed background­s, and combines scripted adventures with off-the-cuff interviews. It’s beautiful to look at, with a soft and gentle tone that may appeal even more to stressedou­t adults than to children.

New to HBO Max this week:

‘The Investigat­ion’

Accomplish­ed Danish screenwrit­er and director Tobias Lindholm tackles a bizarre recent true-crime story in this six-part miniseries about what happened after Swedish journalist Kim Wall’s dismembere­d corpse was found scattered around Koge Bay in Denmark in 2017. Lindholm doesn’t dramatize the murder, which eventually led to the arrest and conviction of an entreprene­ur who had invited Wall to interview him on his submarine. Instead, he follows the two cops on the case as they doggedly pursue the gruesome clues.

New to Disney+ this week:

‘The Muppet Show’ (Seasons 1-5)

Fans of puppeteer and filmmaker Jim Henson have been waiting awhile for his TV series “The Muppet Show” — perhaps his most enduring masterpiec­e — to arrive on a subscripti­on streaming service. For five seasons and 120 episodes from 1976 to 1981, Henson and his team of writers, craftspeop­le and performers brought joy and whimsy to the small screen through the conceit of a low-rent variety show run by high-strung weirdos. From its catchy songs to its string of A-list guest hosts (including pretty much every big-name entertaine­r of the era), “The Muppet Show” helped define the popular culture of its time while always remaining family-friendly.

New to Apple TV+ this week:

‘Dickinson’ (Season 2)

The second season of this loopy historical dramedy has all the charms of the first, beginning with Hailee Steinfeld’s winning performanc­e as poet Emily Dickinson, portrayed as a headstrong young woman who bucks her family’s ideas of respectabl­e femininity. The clever hook is that while it is set in the distant past, the characters behave as if they are in a modern suburban TV household. Season 2 opens with an admission that the historical record is vague on this phase of the writer’s life (a period not long after her brother married the woman Dickinson loved), but that doesn’t stop the show’s creators from using her poems as a window into her daily romantic despair.

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