Northwest Arkansas Democrat-Gazette
New directors named for ’21 Hot Springs film festival
HOT SPRINGS — New and familiar faces will take charge of the 2021 Hot Springs Documentary Film Festival with a new director of programming and the return of the festival’s former executive director after a year off.
Greta Hagen-Richardson has been announced as the director of programming while Jen Gerber, who stepped down as executive director after the 2019 festival, has returned to her old position, replacing Karina Nagin, who served as director last year.
“I learned a lot from her. We’re excited to see what she does next,” Gerber said of Nagin. As for Hagen-Richardson, Gerber said, “She’s wonderful, we’re excited to have her.”
According to a news release, Nagin stepped away to focus on her responsibilities at Bridging Voice, a nonprofit based in New York.
Hagen-Richardson is replacing Jessie Fairbanks, who was recently named as the director of programming at the San Francisco International Film Festival, the release said.
The search for a new director of programming lasted around two months. “We had amazing candidates,” Gerber said, noting, “Greta was a great fit.”
“I’m so excited, I can’t wait,” said Hagen-Richardson, who was hired around mid-January. “It’s been an incredible experience so far.”
Hagen-Richardson has been in this industry for 10 years and is currently the lead features programmer at the New Orleans Film Festival. Her goal, she said, is to find Southern filmmakers and emerging artists “to kind of nurture talent and find voices. I want to help emerging voices from the region.”
She said the South has “so much talent that gets overlooked [due to] stereotypes and lack of access.”
Hagen-Richardson said she originally got into this line of work after she started listening to film podcasts.
“All of the film podcasts talk about TIFF [Toronto International Film Festival] and Sundance. I decided I wanted to go to one. I went to TIFF when I was 19. Incredible experience,” she said.
After experiencing the Toronto International Film Festival, Hagen-Richardson said she thought, “who gets to decide what movies play?”
In her position as director of programming, she said, “I manage three programmers and a team of screeners, and we watch [around] 1100 submissions.”