Northwest Arkansas Democrat-Gazette

Picturing The Past

Lecture series brings Bell paintings to life

- BECCA MARTIN-BROWN

The paintings of John Bell Jr. are more than just images of historic structures. “Bell was a lifelong artist, painting many landscapes, but in the early 1990s he began painting landmarks in Fort Smith and other Arkansas cities, and these paintings are his most well-known,” says Julie Moncrief, director of developmen­t for the Fort Smith Regional Art Museum, which holds more than 50 of his original works of art in its collection. “Bell emphasized in interviews that these paintings were not meant simply to be architectu­ral renderings, but they were meant to show the community life that took place because of the structures’ existence.”

Now those images are being brought to life in a series of discussion­s about the history they depict.

“Landmark Lessons are an opportunit­y for us to learn those stories — of the buildings and the early activities surroundin­g them, as well as an update on the structures and their activities today,” Moncrief explains.

The lectures start today with “The Marshal Series,” featuring four paintings centered around the marshals heading out and coming back from Indian Territory to the courthouse and jail – the infamous “Hell on the Border” – that is now the Fort Smith National Historic Site. Speakers will be Cody Faber, park ranger, and Bill Black, who served as superinten­dent of the site from 1992 to 2012 and helped Bell with his research.

“Bell’s paintings are important for us because we don’t have photograph­s of these scenes,” Faber says. “We only have snapshots of a couple of deputy marshals in the field. The paintings are a tremendous resource that enable us to have a perspectiv­e of our history — in color! His research was extensive.”

“Receiving the family gift of John Bell Jr.’s art and career artifacts has been the most significan­t happening in RAM’s 74-year history,” Moncrief says. “The obligation­s we now have include the task of the conservati­on and preservati­on of more than 50 original works of art, Bell’s studio items, personal items, photograph­s and correspond­ence — all in all, more than 100 items. On top of that is the sharing of this gift, which is also our opportunit­y: Museums function to create cohesivene­ss in a community, and now RAM will share the story of our own native son whose life is an inspiratio­n and whose art helps us know and appreciate our past.”

 ?? (Courtesy Images) ?? “Justice on the Border,” 2007 by John Bell Jr., is part of “The Marshal Series” of four paintings that will be viewed and discussed at the first “Landmark Lessons” program at 2 p.m. April 24 at the Fort Smith Regional Art Museum.
(Courtesy Images) “Justice on the Border,” 2007 by John Bell Jr., is part of “The Marshal Series” of four paintings that will be viewed and discussed at the first “Landmark Lessons” program at 2 p.m. April 24 at the Fort Smith Regional Art Museum.
 ?? ?? FSRAM, celebratin­g its 75th
anniversar­y in 2023, received more than 100 artworks and artifacts from the family of John Bell Jr. in 2021 and the intellectu­al property rights of all Bell's works. The art museum created the John Bell Jr. Legacy Project, whose mission is to preserve, protect and educate about the art and life of John Bell Jr. This piece is “Back to the Fort,” another in “The Marshal Series.”
FSRAM, celebratin­g its 75th anniversar­y in 2023, received more than 100 artworks and artifacts from the family of John Bell Jr. in 2021 and the intellectu­al property rights of all Bell's works. The art museum created the John Bell Jr. Legacy Project, whose mission is to preserve, protect and educate about the art and life of John Bell Jr. This piece is “Back to the Fort,” another in “The Marshal Series.”

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