Orlando Sentinel

Hollywood doesn’t fight for average folks

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During Sunday’s Golden Globes ceremony in posh Beverly Hills, Calif., celebritie­s preached diversity and tolerance, some of them subtly or not-so-subtly denouncing President-elect Donald Trump. Hollywood has traditiona­lly been an important force for America around the world, a “soft power” export of U.S. culture, influencin­g hearts, minds and values. That role has eroded over time. What exactly happened to Hollywood?

During the Cold War era, films such as “Top Gun,” “Flashdance” and “Rocky” promoted the ideals of hard work and triumph over adversity.

The fact that the inspiratio­nal characters were men didn’t obstruct the dreams that Hollywood inspired in women during that era. I didn’t get to the end of a “Rocky” film and think, “Too bad Rocky is a man and I’m a woman, so I guess none of this applies to me.”

Hollywood appealed to universal human values. That’s why it became arguably the most successful soft power export in the history of the world.

But then two unfortunat­e things changed the nature of Hollywood.

On the domestic front, Hollywood became self-conscious of its role as an influentia­l force and transforme­d into a vehicle for the leftist values that increasing­ly dominated the American political landscape. After the Cold War, there was no opponent left to fight, so Hollywood drew battle lines within Western culture itself. It became a pawn for leftist social engineerin­g. The universal values that were agnostic of gender and race were replaced by the promotion of diversity in its most superficia­l forms.

Stars aligned themselves with the Democratic Party, which championed these social divisions. We saw this in the recent presidenti­al election, as scores of celebritie­s threw their support behind Democratic candidate Hillary Clinton. Meryl Streep, who received the Cecil B. DeMille Award for lifetime achievemen­t in film at this year’s Golden Globes, jetted from outgoing President Barack Obama’s final White House party to the Globes ceremony, during which she slammed Trump and celebrated diversity in her acceptance speech.

Internatio­nally, Hollywood went from being a leader in shaping global values to being a useful tool of the very worst of what globalizat­ion represents: the collusion of establishm­ent elites at the expense of the average citizen’s interests. (The entertainm­ent industry is rife with tax breaks that the average person can only dream of, for example.) Whether making videos slamming Trump on behalf of establishm­ent candidates like Clinton or fronting for globalist convention­s like the World Economic Forum in Davos, celebritie­s have aligned against the interests of their audience, who find it increasing­ly difficult to accept all of the preaching.

And while many people believe that globalizat­ion has been a detriment to their interests, Hollywood has benefited from it, with big studios striking coproducti­on and financing deals with European, Chinese, Persian Gulf and other state-controlled interests, many of which impose content and location requiremen­ts. When you watch a Hollywood movie in the Western world these days, there’s a good chance it’s not geared toward you, but rather toward an overseas audience expected to account for a majority of the gross earnings.

Hollywood has the right to seek the best deals that it can so it can continue to pay its stars the multimilli­on-dollar fees that they command. But the film honchos shouldn’t be surprised when they turn off the general public by making movies that prioritize a hidden agenda or promote the globalist establishm­ent’s superficia­l one-world values, which have been culturally and economical­ly detrimenta­l to large swaths of the intended audience. Actors shouldn’t expect widespread support when they denounce the democratic­ally chosen president-elect as some kind of tyrant even though he intends to fight for the average citizen’s interests.

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