Orlando Sentinel

Ted Leo’s song does not remain the same

- By Greg Kot

Ted Leo had been making records for more than two decades when his career took a turn toward the unknown a few years ago. He was falling out with his old record label and was now in his 40s, a time when many rockers start to run on artistic fumes.

Instead, Leo found new inspiratio­n. He didn’t quite reinvent himself so much as dig out new modes of expression in his songwritin­g, first through a collaborat­ion with Aimee Mann in the Both in 2014, then on a sprawling self-released solo album, “The Hanged Man,” which came out this month.

Leo developed a bond with Mann when he opened a tour for her as a solo act a few years ago. Their mutual admiration turned into a collaborat­ive album, “The Both,” that pushed both artists into fresh territory. “Aimee helped me understand what I could do in a song,” Leo says. “She made me aware that there could be options, and it opened up some things for me, made me aware of strengths I didn’t really know I had.”

“The Both” energized both artists and stands as a peak moment in both their careers, a rare instance of two songwriter­s with strong individual solo voices creating a seamlessly blended whole that sounds like nothing either had previously released. Leo brought some of that creative juice into “The Hanged Man,” the most ambitious album of a career that stretches back to the late ’80s.

Leo challenged not only himself, to go deeper as an artist, but perhaps also his fans, who may be expecting a certain kind of album from him after all these years.

Though he tries to block out fan expectatio­ns when writing songs, “I will admit on some level it is just lip service,” he says. “I am 100 percent certain those expectatio­ns have affected how I’ve written and recorded some songs in the past. Usually my own desires would largely dovetail with what I felt those expectatio­ns were. But with this album I took the seat belt off and let some of my broader musical ambitions come out. I wasn’t so inhibited. I walk around with weird (musical) stuff in my head all day, and this time I allowed myself to capture some of that.”

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