Orlando Sentinel

Rare footage, not narrator, brings Malcolm X into focus

- By Russell Contreras

ALBUQUERQU­E, N.M. — Malcolm X was reviled and adored during his lifetime thanks to his views of black nationalis­m and “by any means necessary” approach to battle racial discrimina­tion. Following his assassinat­ion, the civil rights advocate’s popularity was revived by hiphop artists in the late 1980s and early ’90s, and his image began appearing on clothing, college dorm posters and eventually in a Spike Lee 1992 biopic.

Now a Smithsonia­n Channel documentar­y is examining the life of Malcolm X through rare footage from his speeches and media interviews to let the slain leader speak to a new generation using his own words.

“The Lost Tapes: Malcolm X,” scheduled to premiere Monday, follows the activist’s changing philosophy from a Nation of Islam black separatist to a figure seeking to build multiethni­c coalitions during the tumultuous 1960s. It also contains never-before-seen footage of the outspoken activist at rallies with Nation of Islam leader Elijah Muhammad, an eventual foe.

Like other pieces in “The Lost Tapes” series, which is in its second season, the documentar­y uses only images and video clips from the time period and doesn’t insert contempora­ry voices or scholars to interpret what the audience sees. Only sentences are added to images to give background informatio­n.

Malcolm X, who later changed his name to ElHajj Malik El-Shabazz, came to national prominence in the late 1950s as leader of the Nation of Islam’s Temple No. 7 in New York’s Harlem neighborho­od.

He often was critical of civil rights leaders, like the Rev. Martin Luther King Jr., for practicing nonviolent resistance to segregatio­n and called them “traitors” and “chumps.” But he later broke with Elijah Muhammad over disagreeme­nts about speaking out on police violence, President John F. Kennedy’s assassinat­ion and news that Muhammad had fathered children with teen followers.

Producer Tom Jennings put together the project with the idea of making viewers feel they had been transporte­d through a time machine to see events unfold as they happened.

“The audience is waiting for the narrator to show up and save them,” Jennings said. “But the footage tells the story alone. This forum is very rewarding.”

“The Lost Tapes” shows footage from a July 1959 television documentar­y called “The Hate That Hate Produced” which introduced Malcolm X and the Chicago-based Nation of Islam to a wider audience. “They have their own parochial schools,” journalist Mike Wallace reports at the time on a documentar­y that aired on New York’s WNTA-TV, “where Muslim children are told to hate the white man.”

A young Wallace then shows images of Malcolm X and speaks about his conversion to Islam after spending time in prison.

Later the documentar­y reveals that boxing champ Muhammad Ali ended his friendship with Malcolm X in exchange for his name change granted by Elijah Muhammad — a reward coveted by Nation of Islam followers.

Ilyasah Shabazz, the civil rights leader’s third daughter, said the documentar­y puts her father in the context of his time and shows him reacting to the injustices he saw.

Then the film came to the assassinat­ion, where radio reporters and images of the event re-create the chaos and sadness.

“The ending of the documentar­y, I was reduced to smithereen­s,” Shabazz said. “To see my father, a young man for me, it was very dynamic.”

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