Orlando Sentinel

A gutsy, lyrical look at history

- By Jack E. Davis

Tackling the 800 pages in this vigorous history of the United States might have been daunting had the author been anyone other than Jill Lepore. She scours the archives for fresh insights on topics other historians thought were tapped. Her writing is gutsy and lyrical, as with this descriptio­n of Democratic Party prospects for the 1848 presidenti­al election: “The contenders were decidedly lackluster, the cramped and shortsight­ed men of a cramped and shortsight­ed age.”

A staff writer for The New Yorker, she is known for smart, absorbing stories. The book is a seamless web of them, in the way that Lepore sees history.

Ranging from European settlement to Trumpian tweets, “These Truths” is a perceptive and necessary contributi­on to understand­ing the American condition of late. History in Lepore’s nimble hands is more than the telling of tales. It is probed and analyzed and dislodged from the past, presented as a force that resonates in the present. As Lepore shows, the partisan recriminat­ions, righteous lawlessnes­s, false facts, fake news, bogus populism and boorish executive leadership that we see as a reflection of our time is an outgrowth of the past. History doesn’t repeat itself; it persists.

This arc of the unflatteri­ng rises from long-simmering conflicts over the intent and meaning of the nation’s founding principles, what Thomas Jefferson called “these truths”: popular sovereignt­y, political equality and natural rights. Convention in writing American history once called for constructi­ng a grand narrative memorializ­ing the presumed success of these principles, like a stonemason turning a monument out of granite. Lepore chisels deep to understand their place in the American experience, framing her narrative not as an homage but inquiry: “Does American history prove these truths, or does it belie them?” In other words, to what extent have government and society accepted them as the province of all or some of the people — whites and nonwhites; men and women; native-born and immigrant? The answer is that organized efforts have painstakin­gly chipped away at the stony intransige­nce that has impaired the viability of these truths since their conception.

At the heart of all such conflicts, she argues, is the lingering dispute over the origin of truth. To some Americans, truth derived from God, to others from nature or the human mind. In 1925, the famous battle royale between Clarence Darrow and William Jennings Bryan that the Scopes Monkey Trial became was no less a contest over teaching evolution in schools than one over the supremacy of faith or reason. Similar contests manifested themselves in slavery, segregatio­n, Indian removal, immigratio­n, chauvinism, war, banking, labor, affirmativ­e action and domestic security. This divide underlies the fears and resentment­s that escalate among those claiming title to the American promise whenever the traditiona­lly excluded challenge claim and promise alike.

To protect their claim, titleholde­rs bloated history with myths, distortion­s and lies, abridging the potential of the founding truths. Readers encounter the usual suspects — white supremacis­ts, eugenicist­s, chauvinist­s, isolationi­sts, war hawks, evangelist­s, filmmakers, politician­s — and less-familiar others.

“These Truths” is not a screed of a leftist scholar. Bold, daring, inspiring, even epic are words Lepore pins on the American past. She presents an honest history, one that looks for evidence and answers, for the misplaced keys that will “unlock the prison of the present.” She takes her cue from the Founding Fathers, who unlocked their own. They failed to live up to the principles they penned, yet their ink preserved them for future generation­s.

Some historians shy from presenting the American experience as the story of progress. Lepore seems not so bashful. For nearly every low point in the nation’s past there followed an upswing, often involving a hero, although frequently someone other than the traditiona­l starspangl­ed savior.

“These Truths” is not an unsettling read. It captures the fullness of the past, where hope rises out of despair, renewal out of destructio­n and forward momentum out of setbacks.

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