Orlando Sentinel

‘Salt Fat Acid Heat’ isn’t like other food and travel shows

- By Maura Judkis

There’s a perfect word that sums up everything about Netflix’s new cooking show, “Salt Fat Acid Heat,” and it emerges over a meal that the star, Samin Nosrat, is enjoying with her hosts in Japan, where she has just learned the traditiona­l way of making soy sauce. As they tuck into some chicken and rice balls, the elderly woman who has helped prepare the meal laments that the rice balls are not the perfect shape. “The thing I love is wabi-sabi, that handmade quality that makes it human,” Nosrat told her host, using the Japanese term for finding beauty in imperfecti­on.

Wabi-sabi is one of the things that makes “Salt Fat Acid Heat,” named for the four factors of successful cooking and her cookbook of the same name, remarkable.

The show and its star exude it. It is Netflix’s first instructio­nal cooking show, and it doesn’t look anything like the rest of that genre, which is too often the domain of domestic goddesses in glossy kitchens. It’s also a travel show — Nosrat takes her viewers to a different country that exemplifie­s each component in the show’s title — and it doesn’t look anything like those shows, which are usually full of brash men eating organ meats and throwing back beers.

Instead, it looks like Nosrat’s life, beautiful in its imperfecti­ons.

“It’s funny, when I first started getting cuts of the show, and I would show my friends, everyone’s reaction was, ‘It’s really you!’ Nosrat said in a phone interview. “I kept asking them, like, ‘What did you expect me to be?’ And they’re like, ‘Well, we thought maybe they would glam you up or you would be acting differentl­y, but you’re just acting exactly like you act.’ ”

While Nosrat does not cook the way normal people cook — she’s much, much better — she does some of the same things we do. She winces and cries her way through dicing a pile of onions. She throws a dinner party in her Berkeley, Calif., home, and serves her guests roast chicken, and no one drinks out of fancy stemware.

The thing that sets Nosrat’s show apart from others in the genre is who she is. She’s a Persian-American woman hosting a show in a genre where, usually, the people who look like her show up to make food for the white host to learn about. As for the “stand and stir” instructio­nal element of it, the people who host those types of shows usually have names like Martha, Paula and Rachael.

To put it bluntly: Most travel food shows are about white male discovery. And most home cooking shows are about white female domesticit­y. Nosrat gently rejects all of that.

“There is a really fine line between being the discoverer and being a curious traveler,” she said. Watching depictions of Persian food on TV, “I am very aware of the feeling of having something taken from you, repackaged and not being given credit for your own tradition. And that’s something that I never want to do to somebody else.”

That means giving more credit to women too. One of the extraordin­ary things about “Salt Fat Acid Heat” is how many women appear in the show.

“The bulk of all cooking has been done by women. And yet, in popular culture and in media, it’s very rarely that women are given credit for that — are honored in any way — and certainly it’s even more rare that home cooks are glorified or dignified or honored in any way,” said Nosrat.

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