Orlando Sentinel

Beer industry looks to help Black brewers

- By Joshua M. Bernstein

Garrett Oliver had planned to spend the spring flying to Brazil, Sweden, Japan and three other countries for book promotions and beer events. But the coronaviru­s shutdown grounded Oliver, the brewmaster at Brooklyn Brewery in New York, and left him flush with free time.

He rebuilt the rooftop garden of his Brooklyn apartment, and as protests for racial justice filled the streets below, he thought hard about the industry he works in.

“I’ve been sitting in the brewmaster’s chair for more than 30 years, and I’ve never seen a single African American applicant for a brewing job,” said Oliver, 58, one of the few profession­al Black brewers in the country

He found his next quarantine project: In July, he started the Michael James Jackson Foundation for Brewing & Distilling, named after the influentia­l British beer and whiskey writer, who died in 2007. A GoFundMe campaign has already raised more than $97,000 for brewing and distilling scholarshi­ps for Black, Indigenous and people of color working in the industry — attaching a “rocket booster to them,” Oliver said, by supplying technical education to help them advance profession­ally.

The beer business in America is overwhelmi­ngly white. Although Black people are about 13% of the nation’s population, they comprise less than 1% of brewers, according to a survey by the Brewers Associatio­n, a trade group that represents more than 5,400 small, independen­t brewers in the United States.

But as voices rise in protest of racial inequality, the industry is taking some first steps to address those disparitie­s, both the country’s and its own.

“We want to make the brewing industry represent the real world,” said Kevin Blodger, a founder of Union Craft Brewing, in Baltimore, and the chairman of the Brewers Associatio­n’s diversity committee. In 2018, the associatio­n hired its first diversity ambassador, Dr. J. Nikol JacksonBec­kham, and last month it announced a new code of conduct for member breweries aimed at eliminatin­g workplace harassment, bias and discrimina­tion.

Like Oliver at Brooklyn Brewery, several companies are creating educationa­l programs or apprentice­ships to bring more Black people into brewing.

In June, Orpheus Brewing, in Atlanta, introduced its Leadership Diversity Program, a six-month paid internship, with health insurance, that provides a “full view of what it takes to run a brewery,” said Jason Pellett, its brewmaster and

chief executive.

The first recipient is Jade Briggs, 31, who has worked at several Atlanta breweries. “I had such a limited vision of what I could be until I found beer,” said Briggs, who is Black.

Her ultimate goal is owning a brewery, helping to close a vast gap. Of the more than 8,000 breweries in the United States, only about 60 are Black-owned. One, Thunderhaw­k Alements, in San Diego, closed in June after a disagreeme­nt among its owners.

“Unless we have more breweries, where are those brewers going to get a job?” asked Beny Ashburn, a founder of Crowns & Hops, a Black-owned beer brand that brews on other companies’ equipment. (It plans to open its own bricks-andmortar brewery in Inglewood, California, by 2022.)

In August, Crowns & Hops began the 8 Trill Pils initiative to provide money

and support for Blackowned breweries and taprooms. The name of the developmen­t fund, which started with a $100,000 grant from BrewDog brewery, refers to a 2018 study by the W.K. Kellogg Foundation that said racialequi­ty efforts by American businesses could add $8 trillion to the nation’s economy by 2050.

“The more successful Black-owned breweries that there are out there in the country, the more we all stand to benefit economical­ly,” said Teo Hunter, a founder of Crowns & Hops.

On Sept. 8, the brewery, with the support of BrewDog, will release its new 8 Trill Pils pilsner in the United States, Britain and Germany, and send all proceeds to organizati­ons working for racial equity.

It’s part of a broader push in the industry to support nonprofit groups with the release of special

beers. Marcus Baskervill­e, the head brewer and an owner of Weathered Souls Brewing, in San Antonio, built the Black Is Beautiful project around an imperial stout. Participat­ing breweries will riff on his recipe, then donate all proceeds from sales of the beers to organizati­ons supporting inclusion, equality, police reform and legal representa­tion for those who have been wronged.

Baskervill­e had hoped that perhaps 200 breweries would join in; so far, more than 1,100 breweries in 50 states and 21 countries have committed.

“It’s grown exponentia­lly,” Baskervill­e said. “Inequality and injustice aren’t going anywhere.”

Finback Brewery has created a double IPA called Breathing: Conversati­ons, with discussion­s about race printed on the beer’s label in an effort to foster dialogue among drinkers. “It forces someone to be reflective about their perspectiv­e,” said Basil Lee, a founder of the brewery, in Queens and Brooklyn.

Finback released the inaugural can in early August, and about 50 breweries have signed on. Finback asks those brewers to follow its lead and donate proceeds to organizati­ons such as the Brooklyn Community Bail Fund, that advocate equality and racial justice.

“Hopefully the can art and the label become part of the conversati­on,” Lee said.

But putting well-intentione­d messages on beer labels can backfire. In June, the Bronx Brewery announced a beer called Defund the Police, urging that “a significan­t portion” of police budgets be reallocate­d to support community programs. The move was cheered by many, but as with other calls across the country to defund police department­s, angry messages deluged the brewery’s Instagram and Facebook pages.

“People couldn’t get past those three words,” said Damian Brown, the head brewer and a founder, then noted the other three words on the label: Fund the Bronx.

The backlash, and threats of violence, prompted the brewery to cancel the beer.

Dixie Beer, the 113-yearold brewery in New Orleans, announced in June that it would retire its name, which evokes the South of the Confederat­e era. “We don’t want to have a brand that anyone feels is against them,” said Jim Birch, the general manager.

He spent several weeks fielding calls from irate customers. The brewery did not back down, and will announce its new name in October. “We want to be around for the next 100 years making a product that everyone loves,” Birch said. “Beer is something that’s supposed to bring people together.”

ReMIND

1950s-1990s!

 ?? DANIEL DORSA/THE NEW YORK TIMES ?? Garrett Oliver, brewmaster at Brooklyn Brewery, has started a scholarshi­p fund to give the careers of aspiring brewers who are Black, Indigenous and people of color a “rocket booster” by supplying technical education.
DANIEL DORSA/THE NEW YORK TIMES Garrett Oliver, brewmaster at Brooklyn Brewery, has started a scholarshi­p fund to give the careers of aspiring brewers who are Black, Indigenous and people of color a “rocket booster” by supplying technical education.

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