Orlando Sentinel

Tiffany Favrile glass highly prized by current collectors

- By Helaine Fendelman and Joe Rosson

Q: This bowl was given to me by my great uncle. I have had it for 40 years and just recently wondered about the inscriptio­n on the bottom. It reads “L.C.T. Favrile.” Any informatio­n including value would be appreciate­d.

A: Over the years, we have seen thousands of pieces marked “L.C.T.,” or “L.C. Tiffany” or some such to try and indicate they were made by Tiffany Furnaces in Corona, New York. Many have been fakes.

The authentic pieces have scratched-on signatures, which are easy to fake. The good news is this bowl is not a fake. It is a genuine piece of Tiffany Favrile glass, which is highly prized by current collectors.

This word “Favrile,” incidental­ly, is derived from Latin for “handmade” or from the Old English for “belonging to a craftsman.”

We observe that the ground pontil appears to be correct, as do the ground leveling spots on the raised ribs. We do see an appropriat­e amount of surface wear, but nothing unsightly.

Louis Comfort Tiffany (L.C.T.) was the son of Charles Lewis Tiffany, who along with Charles Young founded a store in New York to sell stationery and bric-a-brac including Chinese fans, desks, silverware and umbrellas. L.C.T. was born in 1848 and studied painting in Paris, but began his working career in New York as an interior designer to the upper crust.

L.C.T. began having items such as wallpaper, fireplace tiles and decorative accessorie­s made to suit his taste and design sensibilit­ies. This led to the incorporat­ion of the Tiffany Glass and Decorating Company in 1892, which sold such things as church furnishing­s, including the famous Tiffany stained glass windows.

In 1893, Tiffany became president of the Stourbridg­e Glass Company of Corona, New York, and the company evolved into Tiffany Furnaces, where Favrile glass was conceived and manufactur­ed. Favrile glass has an iridescent surface, but the overall color of the piece is largely determined by the color of the base glass.

Glass in a color reminiscen­t of olive oil produced a multicolor­ed but primarily golden surface when iridized, while a cobalt-colored base glass produced a brilliant metallic blue.

It is hard to tell from the photograph­s submitted the exact color of the piece, but we suspect it is gold Favrile.

We also do not know the diameter of this piece, but again, we suspect — judging by the small table on which it is sitting — that it is approximat­ely 8 inches in diameter. If this is the case, the insurance replacemen­t value would probably be in the $600 to $800 range. Smaller examples should be valued for less, examples decorated with engraving would be valued for more, and blue Favrile might be valued for more, all things being equal.

Helaine Fendelman and Joe Rosson have written a number of books on antiques. Do you have an item you’d like to know more about? Contact them at Joe Rosson, 2504 Seymour Ave., Knoxville, TN 37917, or email them at treasures@knology.net. If you’d like your question to be considered for their column, include a high-resolution photo of the subject, which must be in focus, with your inquiry.

 ?? READER SUBMITTED ?? This bowl is by the famous Tiffany Furnaces in the early days of the 20th century.
READER SUBMITTED This bowl is by the famous Tiffany Furnaces in the early days of the 20th century.

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