Orlando Sentinel

Weather vanes: Artworks with a purpose

Tools were used to tell which way the wind was blowing

- By Kim Cook

Perched atop churches, barns, businesses, homes and seats of government, weather vanes have over hundreds of years taken the form of everything from farm animals to pets, storybook figures to race cars.

They were invented for one important job: telling which way the wind was blowing. Gradually, they became appreciate­d as an art form.

A new exhibition at the American Folk Art Museum in New York, “American Weathervan­es: The Art of the Winds,” showcases the history, technical virtuosity and artistic beauty of vanes made between the late 18th and early 20th centuries. The free exhibit runs through Jan. 2.

“Weathervan­es have always been at once tools and sculptural architectu­ral elements, combining function with visual interest and symbolism,” the show’s curator, art historian Robert Shaw, writes in a companion book (RizzoliEle­cta).

The galleries feature around 50 weather vanes and patterns, along with ephemera like bills of sale, advertisem­ents and vintage photograph­s.

The weather vanes range from simple carved birds, fish, livestock and dogs to figures that seem to literally be riding the winds — loping ponies, racing horses, fire trucks, and wildly imaginativ­e witches, sea serpents and vehicles with many moving elements.

One work, “Dove of Peace,” was commission­ed by George Washington. An amateur meteorolog­ist, he asked Mount Vernon’s architect, Joseph Rakestraw, to design the

dove-shaped weather vane with olive branches in its mouth.

The museum’s curator, Emelie Gevalt, cited the museum’s own “Hudsonian Curlew” as one of her favorites.

The 1874 piece is large — nearly 7 feet tall and 4 feet wide. A relatively simple design, it depicts the body and distinctiv­e curved beak of the shorebird in goldleafed sheet metal, and once sat atop the Curlew Bay sportsmen’s club in Seaville, New Jersey.

“The magnificen­t silhouette of this large vane communicat­es exactly why early 20th century Americans found weathervan­es so appealing,” Gevalt said. “The graphic impact is strikingly modern, speaking to the strong intersecti­ons between the modern

aesthetic and what we call ‘folk.”’

The exhibit also includes a 62-inch-tall, gilded statue of a Native American with bow and arrow pointed skyward. The work set a record for a weather vane sale, $5.8 million, at Sotheby’s in 2006.

Native Americans were a common subject of early American weather-vane art. In the exhibit, Joseph Zordan, consulting scholar and a member of the Bad River Ojibwe, contribute­d interpreti­ve text about these vanes and the legacy of colonialis­m. “Inevitably, such images tell us more about the people who made them than those they are said to represent,” he said.

A simple tool

What makes a weather

vane work? The arrow on the structure is a balancing weight, so when the wind blows, it — and whatever object is attached above it — turns in that direction.

A change in wind direction can mean a storm is coming, so the weather vane was a key tool for farmers or seafarers over the centuries. For people in towns and cities, looking up to see a wildly swinging vane meant it was time to head indoors.

A long history

Shaw said weather vanes date back at least to the ancient Greeks. In medieval times, they were often fabric flags; later, those flags were made of metal, and some can be seen on public buildings from colonial America.

(The ubiquitous rooster? Shaw says that was the result of a papal decree in the 9th century. Plus, the bird’s shape made for an efficient capturer of wind direction.)

Shipbuilde­rs, butchers, carriage makers and others often used weather vanes to advertise their businesses. Copper became a metal of choice because it was easily cut and shaped into interestin­g forms, took well to gilding or painting, and didn’t rust.

There were weather vanes for all budgets, Gevalt said. J. Howard & Co. in Massachuse­tts made many elaborate and expensive vanes, but also smaller, inexpensiv­e roosters.

As early as the 1920s, vintage weather vanes began to find new homes with folk art collectors, and by the 1970s there were some large exhibits and books.

While their usefulness has faded, replaced by hightech meteorolog­y, weather vanes remain popular as roof ornaments.

Creative and custom weather vanes can still be purchased today. You can have your favorite sport or the family pet depicted in vane form at weather vanesofmai­ne.com. Fairy tale characters, planets and spaceships can be found at sites like west coastweath­ervanes.com. At ferroweath­ervanes. com, you’ll find scuba divers, dinosaurs, submarines and croquet-playing crocodiles. And at weathervan­efactory.com, there are whimsical jackalopes, dancing pigs, a Viking ship and more.

 ?? RICHARD GOODBODY/AMERICAN FOLK ART MUSEUM ?? This image shows a copper fox weather vane. Copper became a metal of choice to create weather vanes.
RICHARD GOODBODY/AMERICAN FOLK ART MUSEUM This image shows a copper fox weather vane. Copper became a metal of choice to create weather vanes.

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